Photolit search for "+Goldberg +E."

Nur Kurztitelangabe 11.2002.

Nebeneintrag. - Originally published in “American Photo”. - The author evaluates the evolution and the present state art photography and its relation to the art market.

Nur Kurztitelaufnahme 02.2004

Text engl. - Photographien von Menschen auf Stühlen und von Stühlen mit darauf sitzenden Menschen. Das Buch vereint die Foto-Highlights, die anlässlich einer Werbekampagne entstanden, die 1991 vom Stuhlhersteller Vitra Design initiiert wurde. - Nur Kurztitelaufnahme 05.2006.

Text ital. - Nur Kurztitelaufnahme 10.2006.

A major collection of contemporary international photography. Not all artists represented are listed in PhotoLit.

Text engl. - “This edition is limited to 750 numbered copies and will not be for sale” and „From the limited edition of 750 copies, presented to museums, institutions, collectors, publishers, and friends of the photographic medium. - Printed by Steidl, Göttingen.

Text engl. - Published in collaboration with SEPIA International. - „Wind showcases the newest work by widely exhibited and internationally acclaimed Korean photographer Jungjin Lee. This publication highlights her incredibly painterly and complex panoramic landscape images. Known for her laborious, textural photographic process, Lee brushes liquid emulsion ("liquid light") onto the surface of handmade mulberry paper. The texture of the paper and the gestural marks of the brush stroke create a unique painterly effect, which is beautifully reproduced in this, Lee's first trade monograph. Wind captures the ethereal quality of its namesake in a series of landscapes dominated by windswept expanses and foreboding cloud formations—panoramas that reveal an adventurous spirit, yet resist casual entry. Man-made objects, such as a dilapidated school bus, an old ruin whose ceiling is open to the sky, or wind-blown prayer flags, frequently appear marked by powerful, invisible elements. Metaphors for an internal state of being and the forces that shape it, Lee's Wind landscapes are imbued with an elemental vastness, at once powerful and serene. A preface by Vicki Goldberg offers insight into Lee's background and discusses the essential nature of the landscape, which communicates not merely its surface, but resonates within our deepest cultural and individual being. And, an essay by Eugenia Parry addresses the tension inherent in symbolizing what cannot be seen, exploring what absorbs the silent viewer and leads to worlds beyond the senses. - Jungjin Lee (born in 1961, raised in Seoul) taught herself photography in the 1980s and later earned a master of arts in photography from New York University in 1992. Her works have been exhibited extensively in galleries and museums throughout the United States, Europe, and Korea, and she has published several books, including Jungjin Lee: Beyond Photography (2000), On Road/Ocean (2001), Thing (2005), and Jungjin Lee (2006). Her work is included in the collections of the Metropolitan Museum of Art and Whitney Museum of American Art, both in New York; Los Angeles County Museum of Art; Museum of Fine Arts in Houston; New Mexico Museum of Art, Santa Fe; and various prestigious institutions in Korea. - Vicki Goldberg (preface), one of the leading voices in the field of photography criticism, wrote about photography for the New York Times for thirteen years, and her writing is regularly featured in publications, such as Vanity Fair and American Photographer. She has authored and co-authored more than twenty books on the subject and is a recipient of the International Center of Photography's Infinity Award for Writing. - Eugenia Parry (essay), formerly professor of art history at Wellesley College and the University of New Mexico, has published and lectured widely on the histories of art and photography. Her numerous awards include a Guggenheim Foundation fellowship and a grant from the National Endowment for the Arts in creative nonfiction.“ (Publisher’s text). (http://www.aperture.org/wind.html)

Text dt. - Amerikanische Originalausgabe: A shadow falls. New York: Abrams 2009.

Text engl. - Mit 162 Fotografien von 64 Künstlern bildet La Strada eine fotografische Chronik Italiens vom Ende des Zweiten Weltkrieges bis in die frühen Siebziger Jahre. Neben Bildern von Mario De Biasi, Nino Migliori, Gianni Berengo Gardin und Mario Giacomelli enthält der Band eine umfangreiche Auswahl auch weniger bekannter Künstler, deren Werk hier zum ersten Mal veröffentlicht wird.

Text engl. - „Dokumentarfotografie in großartigen Bild-Essays aus den USA der 1950er Jahre bis 1971 bislang sehr zu Unrecht international wenig beachteten James Karales. Magazinfotostrecken und vor allem politische Dokumentation waren sein Thema, und in der Tat sind ihm etliche enigmatische Bilder zur amerikanischen Zeitgeschichte (Martin Luther King und der 50-Meilen-Protestmarsch in Selma/Alabama z.B.) gelungen, die hier nun endlich zu entdecken sind. Sehr sorgfältiger Druck, schöner Leinenband, sehr lohnenswert.“ (Versandkat. Frölich & Kaufmann, Berlin 10.2016).

Text engl. - „Renowned as the world's leading female fashion photographer from the 1930s to the 1960s, Louise Dahl-Wolfe was acclaimed for her fashion photographs, still lifes, and portraits. - This book is the first comprehensive retrospective on this important photographer. In addition to her fashion images, the 200 photographs gathered here include Louise Dahl-Wolfe's experimental color work and black-and-white portraits of such luminaries as Mae West, Cecil Beaton, Josephine Baker, Christian Dior, Orson Welles, Isamu Noguchi, and others. In sum, they evoke a glamorous and unforgettable era.“ (www.amazon.com/Louise-Dahl-Wolfe-Retrospective-Vicki-Goldberg/dp/0810940515; seen 02.2018).