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Page 4 of 9, showing 20 record(s) out of 162 total
Hollis Frampton. Recollections, recreations.
1984
ill.
Buch
Nur Kurztitelaufnahme 08.1996.
Jan Groover.
Ausstellungskatalog, New York, The Museum of Modern Art, 05.03.-02.06.1987 et al.
New York
The Museum of Modern Art
1987
s. p.
pb.
37 pl.
Buch
0-87070-309-9
@Amazon
The yellow star. The persecution of Jews in Europe 1933-1945. Translated from the German by Susan Sweet.
London
Corgi Books
1969
224 p.
pb.
ill.
Buch
On photography
1973
ill.
Buch
Critical writing. - Nur Kurztitelaufnahme 08.1996.
Shooting war. Photography and the America experience of combat.
New York,NY
Basic Books, Inc., Publishers
1989
474 S.
OLw.
ill.
Buch
0-465-07777-3
@Amazon
25.95 $.
A professional photographer and his amateur counterparts: A comparative study, by Dan Meinwald. Aimé Rochas: Daguerreotypist, by Nissan Perez. Recent acquisitions: Paul Lewis Anderson (1880-1956), by Susan E. Cohen. Osa and Martin Johnson: World travellers in Africa, by George C. Pratt. Designing Hollywood. A bibliography on conservation of photographs, by Walter Clark. In: Image, vol. 22, no. 2, June 1979.
Image, Journal of Photography and Motion Pictures of the International Museum of Photography at George Eastman House; vol. 22, no. 2, June 1979.
Rochester, NY
International Museum of Photography at George Eastman House
1979
32 p.
geheftet
ill.
Zeitschrift, Einzelheft
Re Nissan Perez, p. 11-14: Short essay by the later curator of photography at the Israel Museum on the use of three daguerreotypes taken by a little-known traveller and photographer named Aimé Rochas in Egypt, and used by Maxime DuCamp as calotype reproductions for pl. 1, 9, and 52 in his photographically illustrated book “Egypte, Nubie, Palestine et Syrie”, Paris 1852. According to Perez, one of these images includes the figure of DuCamp’s travel comrade, the later famous writer Gustave Flaubert.
Shared lives: The communal spirit today. - The enclosed world. Photographs and text by Laura Wilson. - American Roma: The hidden gypsy world, by Ian Hancock. Photographs by Cristina Salvador. - The life of the soul, by Rebecca Busselle. Photographs by Cornelius M. Pietzner and Stephen Rasch. - Bushville. Photographs and text by Margaret Morton. - This world is not my home. Photographs and text by Larry Towell. - Alpha Farm, Deadwood Creek, Oregon. Photographs by Eugene Richards. Text by Janine Altongy. - People and ideas. Reviews of John Loengard’s “Georgia O’Keeffe at Ghost Ranch”, by Mary-Charlotte Domandi; Richard Whelan’s “Alfred Stieglitz: A Biography”, by Robert Adams; “Tina Modotti: Photographs” at the Philadelphia Museum of Art and Sarah M. Lowe’s accompanying exhibition catalog by Susan Morgan; and a memorial to Brian Weil by Philip Yenawine. - In: Aperture no. 144, summer 1996.
Aperture; 144.
New York, NY
Aperture Foundation, Inc,
1996
80 p.
pb.
ill.
Zeitschrift, Einzelheft
0003-6420; 0-89381-683-3
Text engl. - Incl. biographies.
Witness to crisis. Sebastião Salgado, Susan Meiselas, David Goldblatt. In: Aperture, no. 108, fall 1987.
New York, NY
Aperture Foundation Inc., N.Y.
1987
79 p.
br.
ill.
Zeitschrift, Einzelheft
Text engl. - Nur Kurztitelaufnahme 09.2001.
Mein Griechenland.
Hildesheim
Gerstenberg Verlag
1987
160 S.
Buch
Nur Kurztitelaufnahme 09.1996.
The Graham Nash Collection.
Los Angeles, Ca.
Nash Press c/o Segel and Goldman
1978
first printing
71 p.
kt.
ill.
Buch
0-932266-00-2
@Amazon
Über Fotografie.
Frankfurt am Main
Fischer Taschenbuch Verlag GmbH
1984
201 S.
Buch
Nur Kurztitelaufnahme 09.1996.
Über Fotografie. Aus dem Amerikanischen von Mark W. Rien und Gertrud Baruch.
München, Wien
Carl Hanser Verlag
1978
195 S.
pb.
Buch
3-446-12428-4
@Amazon
People and ideas: Brassai, 1899-1984: Gilbert & George storm America’s citadels, by Mark Holborn; Invasion: Prague 1968, (...) photography by Joseph Koudelka, with writings by Milan Kundera; The photography of conflict - Fred Ritchin analyzes how the media present conflict with particular reference to the work of Philip Jones Griffiths, Harry Mattison, and Susan Meiselas; An eye for an eye - Northern Ireland. Gilles Peress records a society locked in a circle of retribution. The psychology of violence and the routines of daily life are further observed in a commentary by Nan Richardson; The eye of the storm: Beirut. Over a period of nearly twenty years, Don McCullin has witnessed the destruction of war and the triumph of the human spirit in Lebanon’s civil war; Occupation: The American bases in Japan. Shomei Tomatsu’s document of the American presence in Japan reveals a native identity threatened by cultural and military invasion. In: Aperture, no. 97, winter 1984.
Aperture; 97.
New York, NY
Aperture, Inc,
1984
80 p.
pb.
ill.
Zeitschrift, Einzelheft
0003-6420; 0-89381-155-6
Text engl.
Michael Spano, Nancy Hellebrand, John Leuders-Booth, William Maguire, Susan Barron, Rhondal McKinney, Stephen Scheer. People and Ideas. In: Aperture, no. 91, summer 1983.
Aperture; 91.
Millerton, NY
Aperture , Inc,
1983
80 p.
pb.
ill.
Zeitschrift, Einzelheft
0003-6420; 0-89381-127-0
Text engl.
E. J. Bellocq. Photographs from Storyville, the red light district of New Orleans. Reproduced from prints made by Lee Friedlander. Introduction by Susan Sontag. Interviews edited by John Szarkowski.
New York, NY
Random House
1996
first US edition
84 p.
cb.
52 tritone photos
Buch
0-679-44975-2
@Amazon
Text engl. - Originally published in Great Britain by Jonathan Cape Ltd., in 1996. - An expanded and revised edition of the famous book of portraits of prostitutes in turn-of-the-century New Orleans, the inspiration for the Louis Malle film “Pretty Baby”. This new edition expands the number of images from thirty-four to fifty-two, and has printed them in a larger format, the size of the glass plates themselves. - 60.00 $.
Samuel Bourne. In search of the picturesque. [Foreword Milo Beach].
Ausstellungskatalog, Williamstown, Mass., Sterling and Francine Clark Art Institute, 04.04.-10.05.1981.
Williamstown, Mass.
Sterling and Francine Clark Art Institute
1981
24 p.
stapled
ill.
Katalog
-
The Dean Brown Archive, by James L. Enyeart; An appreciation, by Carol Brown; Dean Brown: An Overview, by Susan E. Ruff. Dean Brown: A black-and-white portfolio; Dean Brown: A color portfolio. Exhibitions of the Center 1975-1981, by Nancy D. Solomon; Acquisitions highlight: Jerry Uelsmann, by Sarah J. Moore; Acquisitions: July-December 1980, compiled by Sharon Denton. In: The Archive, vol. 15, January 1982, p. 3-62.
Center for Creative Photography.
The Archive, Research Series; 15.
Tucson, AZ
Center for Creative Photography, University of Arizona
1982
3-62
br.
ill.
Zeitschrift
0735-5572
Text engl.
Eakins and the photograph: Works by Thomas Eakins and his circle in the collection of the Pennsylvania Academy of the Fine Arts. With essays by Elizabeth Johns, Anne McCauley, Mary Panzer.
Washington, London
Published for the Pennsylvania Academy of the Fine Arts by the Smithsonian Institution Press
1994
236 p.
Olw.
16 p. of tritone ill.
Buch
1-56098-352-3 hb.; 1-56098-353-1 pb.
Handsome cataloge of 648 images. - 85.00 $. - Nur Kurztitelaufnahme 05.1998.
The moon, 6 August 1851. In: The Christian A. Johnson Memorial Gallery 1989 Annual Report, s. p.
The Christian A. Johnson Memorial Gallery.
Middlebury, Vt.
Middlebury College
1989
s. p.
geheftet
ill.
Periodikumsbeitrag ?
On some early daguerreotypes of the moon.
Photographers on photographers. Eve Arnold on Martine Franck; Richard Avedon on Amy Arbus; Harry Callahan on Emmet Gowin; Henri Cartier-Bresson on Ferdinando Scianna; Eikoh Hosoe on Antonio Turok; Helen Levitt on Bill Arnold; Inge Morath on Anthony Suau. Peole and ideas: Gordon Parks: Half Past Atums; Sara Charlesworth at Site Santa Fe; Susan Meiselas: Kurdistan. In: Aperture no. 151, spring 1998.
Aperture; 151.
New York, NY
Aperture Foundation, Inc.
1998
80 p.
pb.
ill.
Zeitschrift, Einzelheft
0003-6420; 0-89381-773-2
Text engl.
Page 4 of 9, showing 20 record(s) out of 162 total