PhotoLit - data bank on photographic literature

 
Book# 21370

Schaaf, Larry

“A wonderful illustration of modern necromancy”: Significant Talbot experimental prints in the J. Paul Getty Museum. In: Photography. Discovery and invention. Papers delivered at a symposium celebrating the invention of photography, organized by the Department of Photographs and held at the J. Paul Getty Museum, January 30, 1989.

Kongressbericht, Malibu, Ca., J. Paul Getty Museum, 30.01.1989.
Ort   Malibu, Ca.
Verlag   The J. Paul Getty Museum
Jahr   1990
Einband   kt.
Medium   Kongresschrift
ISBN / ISSN   0-89236-177-8
  @Amazon

 

Photographie Photographiegeschichte 19. Jahrh. Talbot, William Henry Fox Sammlungen, The J. Paul Getty Museum 
Other books with similar tags:
Fox Talbot and the invention of photography.
The Robert O. Dougan Collection of historical photographs and photographic literature at Princeton.
Ausstellungskatalog, Princeton, The Art Museum, Princeton University, 06.02.-27.03.1983.
Photographie als künstlerisches Experiment. Von Fox Talbot zu Moholy-Nagy.
Bibliothek der Photographie; 5. Hg. Romeo E. Martinez.
Out of the shadows. Herschel, Talbot & the invention of photography.
Raritäten der Fotografie. SUB. Talbots Sonnenbilder. In: Göttinger Tageblatt, Sonnabend, 23. Mai 1998, S. 39 (“Hochschule & Wissenschaft”).
Göttinger Tageblatt; 23.05.1998.
Scenes in a library. Reading the photograph in the book, 1843-1875.
An October book.
J. B. Reade, F.R.S., and the early history of photography. Part 1: A re-assessmant on the discovery of contemporary evidence. Part 2: Gallic acid and Talbot’s calotype patent. In: Annals of science, vol. 27, no. 1, March 1971, p. 13-83.
Annals of science. An international quarterly review of the history of science and technology since the renaissance; vol. 27, no. 1, March 1971.
Felix Bonfils in Athens. Photographs from the Brunnow Collection at Princeton University. Articles and shorter notices. William Henry Fox Talbot. In: History of Photography, Spring 2001.
History of Photography; vol. 25, no. 1, spring 2001. Editor Graham Smith.
Talbot the artist (summary). In: Pritchard, Michael: Technology and art. The birth and early years of photography. The proceedings of the Royal Photographic Society Historical Group conference, 1 - 3 September 1989.
The Royal Photographic Society (RPS) Historical Group conference, Bath, 01.-03.09.1989.
Problems of representation in early Scottish landscape photography. In: Hallett, Michael (ed.): Rewriting photographic history. A one day conference to celebrate the 150th anniversary of the first public announcement of the invention of photography 1839-1989.
Konferenzbericht, Birmingham, Birmingham Polytechnic, 29.09.1989.
Talbot: imagination ou invention. In: Les multiples inventions de la photographie.
Kongressbericht, Ministére de la Culture, de la Communication, des Grands Travaux et du Bicentenaire, Direction du Patrimoine, Cerisy-la-Salle, 29.09.-01.10.1988.
The first photographic record of a scientific conference. In: Coke, Van Deren (ed.): One hundred years of photographic history. Essays in honor of Beaumont Newhall.
Les pionniers de la photographie. In: Vercheval, Georges (ed.): Pour une histoire de la photographie en Belgique. Essais critiques. Répertoire des photographes depuis 1839.
Britse kalotypisten in Belgie en Nederland. In: Coppens, Jan; Roosens, Laurent & Deuren, Karel van: “... door de enkele werking van het licht...” [1989].
Ausstellungskatalog, Antwerpen, Museum voor Fotografie, 18.05.-20.08.1989; Eindhoven, Museum Kempenland, 09.09.-05.11.1989.
Das musée imaginaire: Fotografie und Kunstreproduktion im 19. Jahrhundert. In: Pohlmann, Ulrich & Hohenzollern, Johann Georg Prinz von (Hg.): Eine neue Kunst? Eine andere Natur! Fotografie und Malerei im 19. Jahrhundert.
Ausstellungskatalog, München, Kulturhalle der Hypo-Vereinsbank Stiftung, 01.05.-18.07.2004.
L’espion et la fougère, ou la mission de Joseph Hamel chez Talbot, Niépce et Daguerre.
Die Daguerreotypie und die Anfänge der Negativphotographie auf Papier und Glas. Talbotypie und Niepcotypie.
Talbot and photogravure. Text by Larry J. Schaaf. Hans P. Kraus, Jr. Fine Photographs. Sun pictures catalogue twelve.
Ausstellungskatalog „Etchings of light: Talbot and photogravure“, New York, Hans P. Kraus, Jr., Inc., 09.10.-21.11.2003.
Sun Pictures; catalogue eleven (12).
Leaf prints. Early cameraless photography and botany. In: The dialectic of the visible/ invisible: Science and photography. Photoresearcher, no. 17, [April] 2012.
European Society for the History of Photography [ESHPh]. Association Européenne pour l’Histoire de la Photographie. Europäische Gesellschaft für die Geschichte der Photographie.
Photoresearcher; no. 17, 2012. Ed. Ulla Fischer-Westhauser, Uwe Schögl.
H. Fox Talbot’s „Scotch Views“ for Sun Pictures on Scotland (1845). In: Bello, Patrizia Di; Wilson, Colette & Zamir, Shamoon (eds.): The photo book. From Talbot to Ruscha and beyond.