PhotoLit - data bank on photographic literature

 
Book# 42934

Gruber, Andreas

A great day for Palladio: Alfred Stieglitz’s palladium prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.

Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Ort   Washington, DC
Verlag   American Institute for Conservation
Jahr   2017
Medium   Buchbeitrag
ISBN / ISSN   978-0-9978679-0-9
  @Amazon

 

Text engl. Glossary of terms. Selected Bibliography. Contributors. Index. - Nebeneintrag. - Sarah Greenough work for the National Gallery of Art, Washington, DC.
Photographie 20. Jahrh. Stieglitz, Alfred Konservierung und Restaurierung, conservation and restoration Platinum prints, Platinabzüge Palladium prints, Paladiumabzüge 
Other books with similar tags:
Platinum and palladium photographs. Technical history, connoisseurship, and preservation. [Foreword Malcolm Daniel. Preface and acknowledgement Constance McCabe. Introduction Andrea Nelson].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works.
The subtle beauty of platinum and palladium photographs. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
The technical history and chemistry of platinum and palladium printing. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Willis’s transatlantic connection. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Step-by-step: How platinum and palladium prints are made. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Additives used in the platinum process. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Platinum toning of silver prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Platinum enlargements. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
The history and use of glycerine in platinum printing. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Overview of historical practices for postprocessing toning and intensifying platinum prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
The phenomenon of platinum “image transfer” to adjacent papers. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
A summary of early chemical and physical treatments of platinum prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Investigating chelating agents for the treatment of platinum prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Nonadhesive mounting methods for photographic prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Alfred Stieglitz’s Palladium Prints: Treated by Steichen. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
A technical study of Paul Strand's platinum prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Paul Outerbridge: Abstraction, advertising, and platinum prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Irving Penn’s platinum-palladium prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section III: The platinum revival and contemporary platinum and palladium Prints.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
The platinum renaissance: Oral histories of platinum-palladium printers and artists. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section III: The platinum revival and contemporary platinum and palladium Prints.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Looking at a platinum-palladium print. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section III: The platinum revival and contemporary platinum and palladium Prints.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].