Page 1 of 1, showing 12 record(s) out of 12 total
\995.000 \\[ninehundredfifty-five-thousand], Vancouver <1970.01.13. - 1970.02.08.> # \The \\Vancouver Art Gallery
.
[Vancouver]
118 lose Postkarten
Katalog
. An der Ausstellung waren alle wichtigen Konzept-Art Künstler beteiligt.
New York, NY
Aperture
1986
104 S.
cb.
81 b&w duotone photographs
Buch
0-89381-228-5
@Amazon
Text engl.
1983
ill.
Buch
Nur Kurztitelaufnahme 08.1996.
Albuquerque, NM
University of New Mexico Press
1988
first edition
xii, 133 p.
87 b&w and color full-page photographs
Buch
Text engl. - In a survey originally funded by the National Endowment for the Arts, these five photographers not only documented the sites of rock art of prehistoric Indians, but explored the form and content of the ancient markings.
New York, NY
Aperture Foundation, Inc.
1998
80 S.
pb.
ill.
Zeitschrift, Einzelheft
0003-6420; 0-89381-780-5
Text engl.
Ausstellungskatalog, St. Louis, The St. Louis Art Museum, 1997.
St. Louis
The Saint Louis Art Museum
1997
156 p.
pb.
ill.
Buch
Text engl.
Cambridge, Mass., London/ New York, NY/ North Miami
The MIT Press/ Grey Art Gallery/ Museum of Contemporary Art
2000
256 p.
sc.
85 ill., 16 color
Buch, Katalog
0-262-68106-4
@Amazon
Text engl. - Three women photographers explore the concept of self. Claude Cahun, Maya Deren, and Cindy Sherman were born in different countries, in different generations, yet they share a deeply theatrical obsession that shatters any notion of a unified sex. All three try out identities from different social class and geographic environments, extend their temporal range into the past and future, and transform themselves into heroes and villains, mythological creatures, and sex goddesses. Contributors to this odyssey through historical, theoretical, critical, and literary perspectives on the three artists include Lynn Gumpert, Lucy L. Lippard, Jonas Mekas and Shelley Rice.
New York, NY
Aperture Foundation, Inc.
1994
84 p. plus advertisements
pb.
ill.
Zeitschrift, Einzelheft
0003-6420; 0-89381-598-5
Text engl.
Manchester, VT
Hudson Hills Press
2011
196 p.
hc.
ill., 8-page gatefolds
978-1-55595-373-7; 1-55595-373-5
Text engl. - „Six well-known photographic artists, known as The Legacy Project—aided by 400 artists, experts, and volunteers—transformed an abandoned southern California F-18 jet hangar, located at the Marine Corps Air Station El Toro (MCAS El Toro) in Orange County, into the largest camera ever made and then proceeded to make the world’s largest photograph, known as The Great Picture. The image is a panoramic view of a portion of the former Marine Corps Air Station, which is destined to become the heart of the Orange County Great Park. On July 12, 2006, The Legacy Project unveiled the world's largest photograph at a special reception held inside the world's largest camera. It has been exhibited only twice since then during a short viewing at Art Center College of Design, South Campus Wind Tunnel, Pasadena, California in 2007, and most recently this past winter at Central Academy of Fine Arts, Beijing, China. However, for the first time, Sweeney Art Gallery/Culver Center’s presentation of The Great Picture will be accompanied by additional components that explore details behind its making and those who made it.“ - (Verlagstext). - Nur Kurztitelaufnahme 08.2011.
New York, NY
Aperture
2006
first edition
156 p.
hb. in ill. dustjacket
color photographs
Buch
1-59711-010-8
@Amazon
Text engl.
Köln
Walther König
1979
126 S
pb .
mit 62 (6 farb.) ganzseit. sw Photographien
Buch
3-88375-003-4
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Text dt.
New York, NY
W. W. Norton & Company
1992
1st
199
softcover
book
1-56584-016-X
@Amazon
Page 1 of 1, showing 12 record(s) out of 12 total