Page 1 of 1, showing 7 record(s) out of 7 total
Stuttgart
Institut für Auslandsbeziehungen
1990
S. 366-521
br.
ill.
Kongressbericht, Zeitschrift, Einzelheft
0044-2976
Haupteintrag. Einzelbeiträge dieses Werkes wurden in PhotoLit aufgenommen, mit Ausnahme von: Vorwort (Thomas Theye), Grußworte (Günter Coenen, Rolf H. Krauss, Matthias Samuel Laubscher), Einführungen zu den Podiumsdikussionen (Karl-Heinz Kohl, Peter Thiele), Diskussionsergebnisse (Thomas Theye).
Haus der Kulturen der Welt, Berlin; Deutsche Gesellschaft für Photographie Deutsche Gesellschaft für Völkerkunde
Zeitschrift für Kulturaustausch; 40. Jg., 1990, 3. Vj. Hg. von Klaus Daweke.
Stuttgart
Institut für Auslandsbeziehungen
1990
485-496
Zeitschriftenbeitrag
Nebeneintrag.
Haus der Kulturen der Welt, Berlin; Deutsche Gesellschaft für Photographie Deutsche Gesellschaft für Völkerkunde
Zeitschrift für Kulturaustausch; 40. Jg., 1990, 3. Vj. Hg. von Klaus Daweke.
Stuttgart
Institut für Auslandsbeziehungen
1990
510-514
Zeitschriftenbeitrag
Nebeneintrag.
London
Phaidon
1967
ill.
Buch
Nur Kurztitelaufnahme 02.2004
Barcelona
Actar
1997
segonda edicio
128 p.
half-cloth
ill.
Buch
84-604-8113-1
@Amazon
Text span. - First ed. 1993.
Barcelona
Actar Edita
1997
Segona edició
s. p.
half-cb.
b&w photographs
Buch
84-604-8113-1
@Amazon
Text dt., span., catalan, engl. - Other edition: First edtion 1993.
Exit. Quarterly Magazine on Image and Culture; 42 [May, June, July 2011].
Madrid
Rosa Olivares & Asociados S.L.
2011
168 p.
112 colour and black and white reproductions
Zeitschrift, Themenheft
Text span., engl. - At the origin it was the body, the word rendered flesh; ultimately, it is what we are: flesh. Fragments of bodies inhabit storerooms, galleries and museums. Fragments of skin inscribed with a story. It may be all we have left: the body. A body wherein lies our identity. Everything revolves around our body, which may or may not be divine, but is always human. The body is the first thing we notice, our calling card, the first impression. Thanks to the body we feel the endless range of sensations because the body is, undoubtedly, a limitless territory. The body is a volume on a plane, an object from which we can eliminate the soul and convert into matter, an object that is a reference to other concepts beyond the flesh itself. - In his essay A Body That Is Not There the specialist in dance and performance Jaime Conde-Salazar addresses the relationship between live arts and the body, a relationship that originates in the perception of our body as an object of study, a need to know the human organism, a separation of the body-machine-object from the world that reduces it to pure matter with the capacity for motion, a soulless dancer. - The magazine includes portfolios by the following artists: Dorota Buczkowska and Przemek Dzienis, Denis Darzacq, Robert Davies, Alain Fleischer, Jesús Micó, Arno Rafael Minkkinen, Rafael Navarro, Mathieu Pernot, Pierre Radisic and Laurie Simmons. Some of them undertake a systematic study of the parts, a cataloguing of the different fragments of this object-body: hands, feet, mouth, navel...isolated elements lacking identity. Others make of it a part of the whole, a part of the essential composition. By eliminating the face, the gesture, the gaze, that body is merely an empty container. (Publisher’s text).
Page 1 of 1, showing 7 record(s) out of 7 total