Text dt. - Vergleiche Rezension von Stefanie Dieckmann, in: Fotogeschichte, Heft 110 (Winter 2008).Check entry.

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Text dt. - Monatlich erscheinende Zeitschrift.

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Text dt., engl. - Ob feine Ironie, absurder Witz oder anarchischer Humor – der Band Gnadenlos widmet sich den vielfältigen Erscheinungsformen des Komischen in Werken von Künstlerinnen. Präsentiert werden rund 70 Arbeiten namhafter Vertreterinnen der Avantgarde von der Klassischen Moderne bis heute, darunter Valie Export, Meret Oppenheim, Pipilotti Rist, Marianne Werefkin und viele andere. In ihren Arbeiten – Gemälden, Grafiken, Aquarellen, Collagen, Objekten, Fotografien, Performances, Filmen und Videos – tritt das Komische als subversive Strategie zutage, als scharfsinnige und unbarmherzige Reaktion auf Gesellschaft, Politik und Kunst. Ein ebenso vergnüglicher wie facettenreicher Einblick in die avantgardistische Praxis des Humors.“/ „From fine irony to absurd witticisms and anarchic humour – the volume Gnadenlos is dedicated to the varied aspects of the comic in works by female artists. It presents some 70 works by famous women such as VALIE EXPORT, Meret Oppenheim, Pipilotti Rist, Marianne von Werefkin and many others. In their works – paintings, graphic art, watercolours, collages, objects, photographs, performances, films and videos – the comic emerges as a subversive strategy, as a perceptive and merciless reaction to society, politics and art. An amusing and multifaceted glimpse of the avant-garde praxis of humour.“ (Verlagstext/ Publisher’s text).

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Text engl. - Mit eingelegtem, weiteren Text (1 Bl.) von Felix Hoffmann. - Farbige, sexualisierte, künstlich wirkende Frauenportraits, denen der kommentierende Text einigermaßen vergeblich intellektuellen Tiefgang miitels eines Sammelsuriums kunsthistorischer Bezüge zuzuschreiben sucht. (HCA).

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Text dt. - Gesuchtes Werk mit stimmungsvollen Akt-Photographien in Kupfertiefdruck (sehr) junger chinesischer Mädchen. Einbandentwurf und Buchschmuck von Heinz von Perckhammer. Dieser bereiste den asiatischen Kontinent als Seemann und eröffnete Ende der 1920er Jahre in Berlin am Kurfürstendamm ein Photostudio.

Text engl. Bibliography; index. - A print-on-demand book. - „Contents: The family album, the feminine and the personal; 19th-century album culture; photographs, albums, women's magazines; melancholic portrait gazers; fun and flirtations; ohotography, vision and touch. - This beautifully illustrated study recaptures the rich history of women photographers and image collectors in nineteenth-century England. Situating the practice of collecting, exchanging and displaying photographs and other images in the context of feminine sociability, Bello shows that albums express Victorian women's experience of modernity. The albums of individual women, and the broader feminine culture of collecting and displaying images are examined, uncovering the cross-references and fertilizations between women's albums and illustrated periodicals, and demonstrating the way albums and photography, itself, were represented in women's magazines, fashion plates, and popular novels. Bringing a sophisticated eye to overlooked images such as the family photograph, Di Bello not only illustrates their significance as historical documents but elucidates the visual rhetorics at play. In doing so, she identifies the connections between Victorian album-making and the work of modern-day amateurs and artists who use digital techniques to compile and decorate albums with Victorian-style borders and patterns. - At a time when photographic album-making is being re-vitalised by digital technologies, this book rewrites the history of photographic albums, placing the female collector at its centre and offering an alternative history of photography focused on its uses rather than on its aesthetic or artistic considerations. It is remarkable in elegantly connecting the history of photography with the fields of material culture and women's studies. - About the Author: Patrizia Di Bello is lecturer in the history and theory of photography at Birkbeck College, University of London, UK.“ (Press release).

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Text dt. - Der Photograph dieser Modekollektion wird nicht genannt. Das Faltblatt wurde im Cafè/Restaurant des „Haus der Kunst“ (München) im Febr. 2016 ausgelegt.

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