Text dt. - Enthält Biographien. - „Die Polarität der Themen ‘Landschaft’ und ’Innenräume’ wird hier von international anerkannten Fotokünstler aufgezeigt. U.a. sind Elger Esser, Boris Becker, Thomas Struth, Andreas Gursky, Candida Höfer und Jack Pierson mit Bildbeiträgen vertreten.“ (Kat. Lindemanns Fotobücher, 1. Nachtrag zu Kat. 25, Stuttgart, Frühjahr 1999).

Nur Kurztitelaufnahme 04.2004.

Text dt. - Nur Kurztitelaufnahme 09.2011.

Text dt., engl.- „Diese Broschüre erscheint anlässlich der Ausstellung ,Der Traum vom Ich, der Traum von der Welt. Set 2.’ aus der Sammlung des Fotomuseum Winterthur, 12. März bis 9. Oktober 2005/ This leaflet was published on the occasion of the exhibition ,The dream of myself, the dream of the world. Set 2’ from the collection of the Fotomuseum Winterthur.“

Text dt., engl.- „Diese Broschüre erscheint anlässlich der Ausstellung ’Printed matter. Set 6’ aus der Sammlung des Fotomuseum Winterthur, 28. Februar bis 11. Oktober 2008/ This leaflet was published on the occasion of the exhibition ,Printed matter. Set 6’ from the collection of the Fotomuseum Winterthur.“

Text engl. - Haupteintrag/ Main entry. - „The notion of the minor, developed by Gilles Deleuze and Félix Guattari in Kafka, Towards a Minor Literature (1975), is introduced and connected here for the very first time to the field of photography theory. Deleuze and Guattari defined minor literature in terms of deterritorialization, politicization and collectivization. By transferring ‘the minor' to the medium of photography, this book enlarges the idea of ‘the minor' and opens it up to all kinds of mutations in the process. The essays gathered in this book discuss the ways in which photography can make the dominant codes of representation stammer and how it can produce new affects and address people yet to come. - The authors consider ‘the minor' as a valuable tool to help photography research move beyond, or in between, binary and hierarchized ways of thinking (of high and low art, for example, or centre and periphery). As such, it aims to contribute to a rethinking of photography as multiplicity and variation. Consequently, the term is connected with both marginal and canonical photographic practices, covering photographers as different as Miroslav Tichy, Paul McCarthy, Tacita Dean, Dan Graham, and Paul Nougé. After developing a theory of the minor, this book explores how the operations of the minor can be found in major art practices. It closes by tackling the question of photography as variation in case studies of belated forms of surrealist photography.“ (Press release). The book consist of thre chapters of essays. The chapter are titled: 1. Towards a Theory of the Minor, 2. Major Artists - Minor Practice? 3. Surrealism in Variation.

Text engl. - Nebeneintrag.