Meiselas, Susan

Page 1 of 2, showing 20 record(s) out of 26 total
Aperture, 108
New York, NY
Aperture, Inc.
80 S.
pb.
ill.
Zeitschrift
0-89381-275-7
@Amazon
Enthält zahlreiche Einzelbeiträge, die hier nicht einzeln aufgelistet sind mit Ausnahme der Namen der Beteiligten, s.o.
Konkret Sexualität
Hamburg
Gremliza Verlags GmbH
1983
98 S.
br.
ill.
Jahrbuch
München
Schimer/Mosel
1989
464 S.
pb.
ill.
Buch
3-88814-707-7
@Amazon
Text dt. - Autorisierte deutschsprachige Ausgabe des 1989 bei W. W. Norton & Co., Inc., New York und London, erschienenen Werkes In our time.
[Essen]
Museum Folkwang
15 S.
geheftet
ill.
Katalog
Text dt.
Ausstellungskatalog, Berlin, Kunstamt Kreuzberg, 01.06.-16.08.1982.
Wuppertal
Peter Hammer Verlag
1982
1. Aufl. 8000 Ex.
224 S.
pb.
ill.
Buch, Katalog
3-87294-208-5
@Amazon
New York, NY
Aperture Foundation Inc., N.Y.
1987
79 p.
br.
ill.
Zeitschrift, Einzelheft
Text engl. - Nur Kurztitelaufnahme 09.2001.
New York, NY
Aperture, Inc,
1984
80 p.
pb.
ill.
Zeitschrift, Einzelheft
0003-6420; 0-89381-155-6
Text engl.
New York, NY
Aperture Foundation, Inc,
1993
pb.
ill.
Zeitschrift, Einzelheft
0003-6420
Text engl. - Nur Kurztitelaufnahme 09.2001.
New York, NY
Aperture Foundation, Inc.
1998
80 p.
pb.
ill.
Zeitschrift, Einzelheft
0003-6420; 0-89381-773-2
Text engl.
Ausstellungskatalog, Edinburgh, Scottish National Portrait Gallery, 1999.
München
1999
238 p.
geb.
226 b&w and color ill.
Buch, Katalog
3-7913-2160-9
@Amazon
s. l. (Amsterdam)
Time-Life Books (Nederland) B.V.
1980
First German printing
256 S.
OHlw.
ill.
Jahrbuch
-
Titel der Originalausgabe: Photography Year.
s. l. (Amsterdam)
Time-Life Bücher
1982
First German printing
256 S.
OHlw.
ill.
Jahrbuch
9-06-182-377-3
@Amazon
Text dt. - Titel der Originalausgabe: Photography Year. - Im Vergleich zu den Vorjahresbänden im Format etwas verkleinert.
New York, NY
Powerhouse Books
2001
140 p.
hb.
93 color and b&w photographs
Buch
1-57687-130-4
@Amazon
Dt. Ausgabe New York, 11. September von magnum-Fotografen. Stuttgart, München: Deutsche Verlags-Anstalt 2002.
Stuttgart, München
Deutsche Verlags-Anstalt
2002
144 S.
geb.
93 Farb- und s/w Photographien
Buch
3-421-05655-2
@Amazon
Amerikanische Originalausgabe erschienen unter dem Titel New York September 11 by Magnum photographers. Powerhouse Books 2001.
Berlin
Reporter ohne Grenzen e.V./ taz Verlags- und Vertriebs-GmbH
2002
96 S.
pb.
s/w und Farbphotographien
Jahrbuch
3-9806917-4-8
@Amazon
Text dt. - Enthält u.a. eine Liste von 31 Journalisten, die 2001 wegen ihrer Meinung oder in Ausübung ihres Berufes getötet wurden. "Reporter ohne Grenzen" unterstützt verfolgte und inhaftierte Journalisten und versteht sich als weltweites Forum gegen die Verletzung von Pressefreiheit und Menschenrechten. Mit dem Jahrbuch wirbt die Organisation für ihre Anliegen.
Zwolle/ Leiden
Waanders Uitgevers/ Rijksmuseum voor Volkenkunde
2002
192 p.
OKt.
b&w and color photographs
Katalog
90-400-9617-1
@Amazon
Text nederl., engl. Single contribution are listed in PhotoLit.
Coromandel Press
2000
222 p.
sc.
ill.
Buch
Nur Kurztitelaufnahme 04.2004. - [Text at Schaden.com:] Stellen Sie sich einen großformatigen edeldesignten Bildband zum Thema Schlaf vor, mit unveröffentlichtem Material von Antoine d'Agatha, Dirk Braeckman, Touhami Ennadre, Huger Foote, Philip-Lorca DiCorcia, Susan Meiselas, Martin Parr, Anders Petersen, Miguel Rio Branco, Andres Serrano, Stephen Shore, Kiki Smith, Massimo Vitali undundund...
Ausstellungskatalog, Oxford, Oxford Museum of Modern Art, 2001.
Oxford/ Ostfildern-Ruit
Moma Oxford/ Hatje Cantz
2001
208 p.
pb.
119 ill. incl. 40 in colour plus 79 in duotone
Katalog, Buch
1-901352-12-9; 3-7757-1066-3
Incl. biographies.
Ausstellungskatalog (Wanderausstellung), San Diego, CA, Museum of Photographic Arts, 2002; et al.
Santa Fe, NM
Arena Editions
2002
First edition
340 p.
hb. in dustjacket
76 four-color and 118 duotone plates, 50 ill.
Buch, Katalog
1892041588
@Amazon
Incl. biographies. - "A major traveling exhibition, accompanied by a finely produced book, that reproduces images and writings by fifty of America's leading photographers and writers. The exhibition and book are the result of a five-year project known as the National Millennium Survey. The survey commissioned thirty-five prominent photographers and fifteen nationally recognized writers. Among the fifty artists are a large number of Guggenheim fellows, MacArthur fellows, and Pulitzer Prize winners. The exhibition is devoted to reflections of American life and culture through the vision and interpretation of contemporary photographers and writers. The works in the book and exhibition were produced over the period 1995-2000. The photographic works include documentary series, installations, visual essays, and individual images. The writing includes essays, poetry, and narrative. Among the cultural touchstones represented by the artists are diversity, mobility, family, forces of tradition, ritual, the search for community, immigration, consumerism, the aged, and spiritual continuity." (Publisher).
Cambridge, Mass.
The Film Study Center at Harvard University
2000
First edition, first and only printing, limited ed.
72 p.
accordion-fold
with 58 four-color laser-print photographs
Buch
Originally suggested by Susan Meiselas and Richard Rogers, Dislocations was designed and produced at Harvard University's Film Study Center. Production of the edition was by Robert Gardner, Director, Harvard University's Film Study Center. Published as a limited edition of 40 copies, hand-numbered and signed in black ink on the colophon page by Alex Webb; hb., fine black linen-covered boards, with tipped-in title plate on the front debossed cover, enclosed in a deluxe custom-designed matching black linen-covered four-sided hinged case, with debossed title on top cover, no dust jacket as issued. All four sides open out, and are closed by Velcro attached to the inner front cover, which folds over the top and attaches to the right side of the case. Laser prints on Hammersmith Permanent paper glued into a blind debossment on Somerset Velvet paper, and individually hand-titled in black ink by Webb below the mount. The ch tipped-in plate is approximately 5 x 7 3/4 inches. All pages are attached in a Leporello (accordion-fold) 72 total pages in length, with continuous end-papers attached to the front and rear boards. Includes 3 additional tipped-in color laser print plates: page 1) a reproduced dictionary definition of 'Dislocation;' 2) a brief quote from Don DeLillo's novel 'White Noise,' which reads "The flow is constant," Alfonse said. "Words, pictures, numbers, facts, graphics, specks, waves, particles, motes. Only a catastrophe gets our attention;" and 3) colophon page. The book is 8 x 10 x 2 1/2 inches deep and the four-sided hinged case is 8 1/2 x 10 3/4 x 3 inches deep. The covers and leaves were assembled by hand, and the photographs were printed using state-of-the-art digital imaging technologies generously donated by The Film Study Center's New Media Partners, specifically Power Computing Corporation (PowerTower Pro 225 workstations for image processing) and Canon USA Inc. (CLC800 color laser copier and ColorPass color print server for final imaging). Although these technologies were key to producing this book, the photographs themselves have not been altered beyond color correction required to match the characteristics of the printer. Scans of some of the images available upon request. - Alex Webb's photographs initially command the viewer's attention with stark, brilliant colors and graphic form. Many of his photographs combine seemingly disparate 'images' into one frame. A deep black shadow has as strong a presence as a partially sunlit expressionless face, in a disjointed street scene. Upon closer examination, the figures, environments, situations, colors and forms combine to create an emotionally charged photograph. What makes this uniquely conceived and produced edition stand out as exceptional, and a seemingly natural extension from Webb's earlier publications, is the book's elegant design and use of color laser technology for the plates. The flat surface and brilliant color reproduction play off each other to create a strange 'tug-of-war' with the viewer's response to the images. As in the potential effect of video, these color laser images have a concurrent psychological immediacy and distance which complicates the images and their meaning in the most fascinating ways“. (Antiq. Borelli). - From the publisher: "This book of ,dislocations’ is an experiment in an alternative kind of book-making. It is a technology-mediated artist's book that inhabits a place somewhere between the unique book-as-art/art-as-book and a traditional press-bound publications focused on in the photographs“.
Page 1 of 2, showing 20 record(s) out of 26 total