Book# 12218

A professional photographer and his amateur counterparts: A comparative study, by Dan Meinwald. Aimé Rochas: Daguerreotypist, by Nissan Perez. Recent acquisitions: Paul Lewis Anderson (1880-1956), by Susan E. Cohen. Osa and Martin Johnson: World travellers in Africa, by George C. Pratt. Designing Hollywood. A bibliography on conservation of photographs, by Walter Clark. In: Image, vol. 22, no. 2, June 1979.

Image, Journal of Photography and Motion Pictures of the International Museum of Photography at George Eastman House; vol. 22, no. 2, June 1979.
Ort   Rochester, NY
Verlag   International Museum of Photography at George Eastman House
Jahr   1979
Einband   geheftet
Illustration, Ausstattung   ill.
Medium   Zeitschrift, Einzelheft


Re Nissan Perez, p. 11-14: Short essay by the later curator of photography at the Israel Museum on the use of three daguerreotypes taken by a little-known traveller and photographer named Aimé Rochas in Egypt, and used by Maxime DuCamp as calotype reproductions for pl. 1, 9, and 52 in his photographically illustrated book “Egypte, Nubie, Palestine et Syrie”, Paris 1852. According to Perez, one of these images includes the figure of DuCamp’s travel comrade, the later famous writer Gustave Flaubert.
Photographie Reisephotographie Ägypten 19. Jahrh. Daguerreotypie Clark, Walter DuCamp, Maxime Cohen, Susan E. Flaubert, Gustave Orient, Afrika, Africa Meinwald, Dan Perez, Nissan Rochas, Aimé Anderson, Paul Lewis Johnson, Osa Johnson, Martin Pratt, George C. Horner, Harry 

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