PhotoLit - data bank on photographic literature

 
Book# 16882

Nickel, Douglas

Carleton Watkins: The art of perception.

Ausstellungskatalog, San Francisco, CA, San Francisco Museum of Modern Art, 1999.
Ort   New York, NY
Verlag   Harry N. Abrams
Jahr   1999
Einband   cb.
Illustration, Ausstattung   105 tritone, 20 duotone ill., 4 gatefolds
Medium   Buch
ISBN / ISSN   0-8109-4102-3
  @Amazon

 

Text engl.
65.00 $. 69.90 €.
Photographie Landschaftsphotographie USA 19. Jahrh. Monographie Watkins, Carleton 
Other books with similar tags:
The early Pacific Coast photographs of Carleton Watkins. By J.W. Johnson, Professor of Hydraulic Engeneering, University of California, Berkeley.
University of California Water Resources Center Archives, Archives Series Report
The human figure in motion. An electro-photographic investigation of consecutive phases of muscular actions, commenced 1872, completed 1885.
Sublime vistas and scenic backdrops: Nineteenth-century painters and photographers at Yosemite. In: California History, vol. 69, no. 2, Summer 1990, 134-153, 223-224
California History; vol. 69, no. 2, 1990.
Jacob A. Riis. Beginn einer sozialkritischen Fotografie in den USA. Mit weiteren Bildern von Lewis Hine und anderen. Ausstellung aus der Sammlung Rune Hassner, Stockholm. 28. November 1971 bis 5. Januar 1972, Museum Folkwang Essen.
Ausstellungskatalog, Essen, Museum Folkwang, 28.11.1971-05.01.1972.
Carleton Watkins. Selected texts and bibliography. Essay by Mary Warner Marien.
World Photographers Reference Series; vol. 4. Anne Hammond & Amy Rule, series editor
Dwellers at the source. Southwestern Indian photographs by A. C. [d.i. Adam Clark] Vroman, 1895-1904.
Destruction and destiny. The photographs of A. J. Russell: Directing American energy in war and peace, 1862-1869.
Ausstellungskatalog, Pittsfield, Mass., The Berkshire Museum, 31.10.1987-3.1.1988 et al.
Mathew Brady. Historian with a camera. Picture collation by Gertrude Horan.
Visual symphony. Photographische Komposition in vier Sätzen. Erster Satz - Allegro: Die Landschaft. Zweiter Satz - Adagio, ma non troppo: Die Kathedralen Englands. Dritter Satz - Scherzo: Urbane Geometrie. Vierter Satz - Adagio, Andante, Allegro, Presto: Die Canyons. [Einleitung: Bill Jay].
“Photographed all the best scenery.” Jack Hiller’s diary of the Powell expeditions 1871-1875.
University of Utah Publications in the American West; vol. 9. Under the editorial direction of the Center for Studies of the American West. John D. Walker, general editor.
The photographic artifacts of Timothy O‘Sullivan.
Timothy O'Sullivan. America's forgotten photographer. The life and work of the brilliant photographer whose camera recorded the American scene from the battlefields of the Civil War to the frontiers of the west.
William H. Jackson. With a critical essay by William L. Broecker.
Dwellers at the source. Southwestern Indian photographs by A. C. [d.i. Adam Clark] Vroman, 1895-1904. From the A. C. Vroman Collection at the Natural History Museum of Los Angeles County.
Mapping the west: Nineteenth-century American landscape photographs from the Boston Public Library.
Ausstellungskatalog, Boston, Mass., The Boston Public Library, 1992.
Frederick Weygold, Fotograf der Oglala-Sioux (1870-1941). In: Indianer 1858-1928. Photographische Reisen von Alaska bis Feuerland. Katalog zur gleichnamigen Ausstellung [...].
Ausstellungskatalog, Hamburg, Museum für Völkerkunde, 18.04.2002-15.06.2003.
Gustave Le Gray, Carleton E. Watkins. Pioniere der Landschaftsphotographie. Beispiele aus der Sammlung des Paul Getty Museums, Malibu./ Pioneers of landscape photography. Photographs from the collection of the J. Paul Getty Museum.
Ausstellungskatalog, Frankfurt am Main, Städtische Galerie im Städelschen Kunstinstitut, Graphische Sammlung, 02.09.-07.11.1993.
Ansel Adams.
The attitudes of animals in motion. A series of photographs illustrating the consecutive positions assumed by animals in performing various movement. Executed at Palo Alto, California, in 1878 and 1879.
Carleton Watkins: The Complete Mammoth Photographs.