PhotoLit - data bank on photographic literature

 
Book# 24694

Scheurer, Hans Julius

Medientheoretische Untersuchung der Fotografie im Kontext der Industrialisierung. Inaugural-Dissertation zur erlangung der Doktorwürde des Fachbereiches Sprache, Literatur, Medien der Universität Osnabrück, vorgelegt von Hans Julius Scheurer aus Köln.

Ort   Köln
Jahr   1983
Einband   br.
Illustration, Ausstattung   ill.
Medium   Dissertation, Fotokopie
ISBN / ISSN   -

 

Fotokopie eines maschinenschriftlichen Manuskripts. - Letzter Eintrag Internet-Übertragung 01.2003.
Photographie 20. Jahrh. Photographiegeschichte 19. Jahrh. Theorie und Kritik 
Other books with similar tags:
Una posible silueta para una futura historiografia de la fotografia en Mexico. In: Artes Visuales, revista trimestral, no. 12, octurbe-diciembre 1976, 2-6.
Artes Visuales; 12, 1976.
Wandlungen des Bildnisses in der Photographie.
Cultura fotografia in Italia. Antologia di testi sulla fotografia (1839-1949).
Cultura visiva. Collana diretta da Gaddo Morpurgo.
Photography & society.
Camera fiends and Kodak girls II: 60 selections by and about women in photography, 1855-1965.
Sozialgeschichte der Photographie.
Soziologische Essays. Hg. von Friedrich Fürstenberg und Frank Benseler.
Burning with desire. The conception of photography.
The photographic art. Pictorial traditions in Britain and America.
Icon editions.
Creative Photography. Aesthetic trends 1839 - 1960.
The history of photography: Perspectives and interpretations. In: Hallett, Michael (ed.): Rewriting photographic history. A one day conference to celebrate the 150th anniversary of the first public announcement of the invention of photography 1839-1989.
Konferenzbericht, Birmingham, Birmingham Polytechnic, 29.09.1989.
Bernard Shaw’s activist aesthetic of photography and the “new art history”. In: Hallett, Michael (ed.): Rewriting photographic history. A one day conference to celebrate the 150th anniversary of the first public announcement of the invention of photography 1839-1989.
Konferenzbericht, Birmingham, Birmingham Polytechnic, 29.09.1989.
Creative Photography. Aesthetic trends 1839-1960.
Theoriegeschichte der Photographie.
Bild und Text.
Heinrich Schwarz. Techniken des Sehens - vor und nach der Fotografie. Ausgewählte Schriften 1929-1966. Hg. und kommentiert von Anselm Wagner. Mit einer Einführung von Monika Faber.
Fotohof Edition; 90. Hg. Rainer Iglar, Michael Mauracher.
Peter Weiermair: Reflections on Materiality in Photographic Production – Looking Back at a Discourse; Hubertus von Amelunxen: Im | materialities; Andreas Spiegl: Anatal and Digilogue Photography: Different but Indistinguishable; Danielle Leenaerts: The Modes of Inscription and Appearance of the Still Image in Beat Streuli's Work: Reflections on the Photographic Media; Klaus Honnef: Illusory Images in the Brain – Fleeting Images in the Net – Captured Images on Paper; Caroline Fuchs: Anticipation and Reality. A Re-Evaluation of Autochrome Projection; Amélie Van Liefferinge: Between Art, Science and Education. The Tradition of Slide Shows at the Belgian Association of Photography (1883–1933); Thomas Freiler: The Vampire and Marilyn – Some Thoughts on a Photographic Concept of Being; Moritz Neumüller and Andreas Reichinger: From Stereoscopy to Tactile Photography; Monika Schwärzler: The Beast – On the Photographic Staging of the Large Hadron Collider at the Nuclear Research Centre in Geneva; Carl Aigner: Photo Digitality in the Area of Conflict. Between the Material and Immaterial. A Review as a Preview; Jeanna Nikolov-Ramírez: Pictorial Spreading - On Immaterial Forms of Collecting and Sharing Images; Ilka Becker: Some Remarks on Material Agency after the Digital Turn and the Photographic Metaphor of the Living Digital. - In: Photoresearcher, no. 19, [April] 2013.
European Society for the History of Photography [ESHPh]. Association Européenne pour l’Histoire de la Photographie. Europäische Gesellschaft für die Geschichte der Photographie.
Photoresearcher; no. 19, [Apr.] 2013. Ed. Ulla Fischer-Westhauser, Uwe Schögl. Guest editor Caroline Fuchs.
The camera as historian: Amateur photographers and historical imagination, 1885-1918.
Mixed Box. The cultural biography of a box of 'ethnographic' photographs. In: Ricerche di Storia dell Arte, 106, 2012.
Ricerche di Storia dell Arte, 106, 2012.
Photography. In: Barnard, A. & Spencer, J. (eds.). The Routledge encyclopedia of social and cultural anthropology.
Objects of Affect: Photography Beyond the Image. In: Annual Review of Anthropology, 41, 2012.
Annual Review of Anthropology, 41, 2012.
Tracing photography. In: Ruby, J. & Banks, M., (eds.): Made to be seen: Perspectives on the history of visual anthropology.