PhotoLit - data bank on photographic literature

 
Book# 31442

Valtorta, Roberta (ed.)

E'contemporanea la fotografia?

Ort   Cinisello Balsamo/ Milano
Verlag   Museo della Fotografia Contemporanea/ Lupetti
Jahr   2004
Illustration, Ausstattung   b&w photographs
Medium   Katalog?
ISBN / ISSN   88-8391-105-9
  @Amazon

 

Text ital. - Essays. - Il mutamento di identità della fotografia nel momento contemporaneo, la sua collocazione fra le arti e le sue trasformazioni tecnologiche. Scritti e opinioni di: Luca Massimo Barbero, Gabriel Bauret, Pierre Devin, Bruno Di Bello, Ute Eskildsen, Vittorio Fagone, Christine Frisinghelli, Christian Gattinoni, Frits Gierstberg, Elio Grazioli, Mark Haworth Booth, Andrea Lissoni, Gilles Mora, Gianni Romano, Roberto Signorini, Tereza Siz, Urs Stahel, Francesco Tedeschi, Franco Vaccari, Hripsimè Visser, Hubertus von Amelunxen, Bas Vroege, Silvio Wolf. - Nur Kurztitelaufnahme 10.2006.
16.00 €.
Photographie Theorie und Kritik 21. Jahrh. Photographiegeschichte, history of photography Zeitgeschichte, history 
Other books with similar tags:
Der Gebrauch der Fotografie [Hg. Heinz-Norbert Jocks]. In: Kunstforum International; Bd. 171, Juli-August 2004.
Kunstforum International; 171, Juli-August 2004. Hg. Dieter Bechtloff.
Teoria e storia della fotografia.
Un'altra lontananza.
Storia della fotografia.
Photographia.
Die Kunst, den Krieg zu fotografieren. Krieg in der künstlerischen Fotografie der Gegenwart.
Imagery in the 21st Century.
Photography is.
Le 11-Mars comme un nouveau 11-Septembre. Le traitement photographique des attentats de 2004 à Madrid/ March 11 as a New September 11: The Photographic Coverage of the 2004 Madrid Bombings. In: Études photographiques. Revue semestrielle, no. 27.
Études photographiques. Revue semestrielle; Novembre 2011, no. 27. Ed. Thierry Gervais.
Die Ursprünge der psychiatrischen Fotografie/ The origins of psychiatric photography. In: Stahel, Urs (Hg.): Darkside II [Vol. 2]. Fotografische Macht und fotografierte Gewalt, Krankheit und Tod/ Photographic power and violence, disease and death photographed.
Ausstellungskatalog, Winterthur, Fotomuseum, 05.09.-15.11.2009.
Peuples exposés, peuples figurants .
l'oeil de l'histoire; tome 4.
Peter Weiermair: Reflections on Materiality in Photographic Production – Looking Back at a Discourse; Hubertus von Amelunxen: Im | materialities; Andreas Spiegl: Anatal and Digilogue Photography: Different but Indistinguishable; Danielle Leenaerts: The Modes of Inscription and Appearance of the Still Image in Beat Streuli's Work: Reflections on the Photographic Media; Klaus Honnef: Illusory Images in the Brain – Fleeting Images in the Net – Captured Images on Paper; Caroline Fuchs: Anticipation and Reality. A Re-Evaluation of Autochrome Projection; Amélie Van Liefferinge: Between Art, Science and Education. The Tradition of Slide Shows at the Belgian Association of Photography (1883–1933); Thomas Freiler: The Vampire and Marilyn – Some Thoughts on a Photographic Concept of Being; Moritz Neumüller and Andreas Reichinger: From Stereoscopy to Tactile Photography; Monika Schwärzler: The Beast – On the Photographic Staging of the Large Hadron Collider at the Nuclear Research Centre in Geneva; Carl Aigner: Photo Digitality in the Area of Conflict. Between the Material and Immaterial. A Review as a Preview; Jeanna Nikolov-Ramírez: Pictorial Spreading - On Immaterial Forms of Collecting and Sharing Images; Ilka Becker: Some Remarks on Material Agency after the Digital Turn and the Photographic Metaphor of the Living Digital. - In: Photoresearcher, no. 19, [April] 2013.
European Society for the History of Photography [ESHPh]. Association Européenne pour l’Histoire de la Photographie. Europäische Gesellschaft für die Geschichte der Photographie.
Photoresearcher; no. 19, [Apr.] 2013. Ed. Ulla Fischer-Westhauser, Uwe Schögl. Guest editor Caroline Fuchs.
Belichtungen. Zur fotografischen Gegenwart.
Bild und Text.Hg. Gottfried Boehm, Gabriele Brandstetter, Bernd Stiegler.
Eine gewaltige Sammlung von Formen/ An enormous collection of forms. In: Edgar Leciejewski: New York. Ghost and llowers. How to build a sun.
Mitten am Rand. Fotografische Erkundungen zur Mitte der Gesellschaft. In: Dokumentarfotografie Förderpreise 08.
Talbots fotografischer Raum. In: Fotogeschichte. Beiträge zur Geschichte und Ästhetik der Fotografie 34 (2014), Heft 131: „Abstrakte Fotografie“.
Fotogeschichte. Beiträge zur Geschichte und Ästhetik der Fotografie 34 (2014), Heft 131.
Trompe-l’oeil im Loop. Sebastian Stumpfs performative Bildmedientheorie. In: Fischer-Lichte, Erika & Strätling, Regine (Hg.): Witty Art. Der Witz in seiner Beziehung zu den Künsten, München 2014.
The photo book. From Talbot to Ruscha and beyond.
Capturing the light. A true story of genius, rivalry and the birth of photography
The Amateur Excursion and the Sociable Production of Photographic Knowledge. Either/And. http://eitherand.org.