Book# 42907

Clements, Alfred; Perich, Shannon Thomas & Ware, Mike

Willis’s transatlantic connection. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.

Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Ort   Washington, DC
Verlag   American Institute for Conservation
Jahr   2017
Medium   Buchbeitrag
ISBN / ISSN   978-0-9978679-0-9
  @Amazon

 

Text engl. Glossary of terms. Selected Bibliography. Contributors. Index. - Nebeneintrag. - Alfred Clementsand Shannon Thomas Perich work for the National Museum of American History, Smithsonian Institution. Mike Ware is Honorary Fellow in Chemistry, University of Manchester, UK.
Photographie 20. Jahrh. 19. Jahrh. 21. Jahrh. Konservierung und Restaurierung, conservation and restoration Platinum prints, Platinabzüge Palladium prints, Paladiumabzüge 

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Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].