PhotoLit - data bank on photographic literature

 
Book# 7674

Kluwe, Vincent

Gestaltung in der Fotografie und ihre Bildwirkung. Aspekte einer theoretisch und empirisch orientierten Fotosemiotik. Dissertation zur Erlangung des Grades eines Doktors der Philosophie am Fachbereich Kommunikationswissenschaften der Freien Universität Berlin.

Fachbereich Kommunikationswissenschaften der Freien Universität Berlin
Ort   Berlin
Jahr   1982
Einband   kt.
Illustration, Ausstattung   sw Photographien
Medium   Dissertationsschrift

 

Antiq. Liste Landwehr, Kassel Juli 1998: 18.00 DM.
Photographie 20. Jahrh. Theorie und Kritik 
Other books with similar tags:
The artistic side of photography in theory and practice. [London: Stanley Paul & Co. 1910].
The literature of photography. Ed. Peter C. Bunnell & Robert A. Sobieszek.
Esthétique de la photographie. [Paris: Photo-Club de Paris 1900]. - La photographie est-elle un art? [Paris: Hachette & Cie. 1899]. In: The sources of modern photography.
The sources of modern photography.
Essays on photography. Compiled with an introduction by Michael Gibson and Richard Lancelyn Green.
Foto-Psychologie [Fotopsychologie]. Die subjektive Seite des Objektivs.
Gendered territory. Photographs of women by Julia Margaret Cameron. Edited and introduced by Dave Oliphant. [Contents: Lindsay Smith: Further thoughts on “The politics of focus”; Joanne Lukitsh: The Thackeray album: Looking at Julia Margaret Cameron’s gift to her friend Annie Thackeray; Carol Hanbery MacKay: “Soaring between home and heaven“: Julia Margaret Cameron’s visual meditations on the self; Jennifer Pearson Yamashiro: Idylls in conflict: Victorian representations of gender in Julia Margaret Cameron’s illustrations of Tennyson’s “Idylls of the King”; Lori Cavagnaro: Julia Margaret Cameron: Focusing on the orient; Lizabeth A. Straight & Patricia A. Threatt: Julia Margaret Cameron: A catalogue of holdings at the Harry Ransom Humanities Research Center].
The Library Chronicle of the University of Texas at Austin, vol. 26, no. 4.
Die Rache der Veronika. Aktuelle Perspektiven der zeitgenössischen Fotografie. Die Fotosammlung Lambert.
Ausstellungskatalog, Hamburg, Deichtorhallen, 27.02.-01.06.1998
Tschechische Avantgarde-Fotografie 1918-1948. Birgus, Bonhomme, Dufek, Mlcoch, Srp.
In visible light. Photography and the American writer: 1840-1940.
De wereld van Van Gogh. Tekst W. Jos de Gruyter.
Die Welt von Van Gogh. Le monde de Van Gogh. The world of Van Gogh. Photographie Emmy Andriesse. Auteur W. Jos de Gruyter.
De wereld van Van Gogh. Le monde de van Gogh. The world of Van Gogh. Photographie Emmy Andriesse.
Photography: A new kind of art. In: Dialogue, vol. 9 (1976), no. 3.
‚Hundert Meisterwerke'. Newhalls ‚Geschichte der Photographie' [Rezension]. In: Kairos. Mitteilungen des Österreichischen Fotoarchivs, 1. Jg., Nr. 1-2, 1986.
Kairos. Mitteilungen des Österreichischen Fotoarchivs; 1. Jg., Nr. 1/2, 1986.
Bild-Legenden. Betrachten heißt denken!
Un'altra lontananza.
Trans Asia Photography Review.
Trans Asia Photography Review.
Das Kind und sein Vater. Text von Eugen Roth.
Ein terra magica Bildband.
Photography is.
Peter Weiermair: Reflections on Materiality in Photographic Production – Looking Back at a Discourse; Hubertus von Amelunxen: Im | materialities; Andreas Spiegl: Anatal and Digilogue Photography: Different but Indistinguishable; Danielle Leenaerts: The Modes of Inscription and Appearance of the Still Image in Beat Streuli's Work: Reflections on the Photographic Media; Klaus Honnef: Illusory Images in the Brain – Fleeting Images in the Net – Captured Images on Paper; Caroline Fuchs: Anticipation and Reality. A Re-Evaluation of Autochrome Projection; Amélie Van Liefferinge: Between Art, Science and Education. The Tradition of Slide Shows at the Belgian Association of Photography (1883–1933); Thomas Freiler: The Vampire and Marilyn – Some Thoughts on a Photographic Concept of Being; Moritz Neumüller and Andreas Reichinger: From Stereoscopy to Tactile Photography; Monika Schwärzler: The Beast – On the Photographic Staging of the Large Hadron Collider at the Nuclear Research Centre in Geneva; Carl Aigner: Photo Digitality in the Area of Conflict. Between the Material and Immaterial. A Review as a Preview; Jeanna Nikolov-Ramírez: Pictorial Spreading - On Immaterial Forms of Collecting and Sharing Images; Ilka Becker: Some Remarks on Material Agency after the Digital Turn and the Photographic Metaphor of the Living Digital. - In: Photoresearcher, no. 19, [April] 2013.
European Society for the History of Photography [ESHPh]. Association Européenne pour l’Histoire de la Photographie. Europäische Gesellschaft für die Geschichte der Photographie.
Photoresearcher; no. 19, [Apr.] 2013. Ed. Ulla Fischer-Westhauser, Uwe Schögl. Guest editor Caroline Fuchs.
Dubcek im Freibad. Bildpolitik während des Prager Frühling 1968. In: Ramsbrock, Annelie; Vowinckel, Annette & Zierenberg, Malte (Hg.): Fotografien im 20. Jahrhundert. Vermittlung und Verbreitung.
Geschichte der Gegenwart; 6. Hg. von Frank Bösch und Martin Sabrow.