Photolit search for "+Perez +Nissan +N."

Hablaron: Rafael Calviño (fotógrafo), Christian Ferrer (ensayista, editor de la revista Artefacto), Federico Schuster (decano de la Facultad de Ciencias Sociales-UBA), coordinó: Ana Grondona. En el Auditorio "Roberto Carri" de la sede Parque Centenario de la Facultad de Ciencias Sociales de la Universidad de Buenos Aires, Franklin 54 (entre Ramos Mejía y Río de Janeiro), Planta Baja. - Nur Kurztitelaufnahme 03.2005.

Text Fr./engl./hebr.

Text fr. - Other ed.: Corpus Christi. Christusdarstellungen in der Fotografie. Heidelberg 2003. Revelation. Representation of Christ in photography. Londo et al. Merrell 2003.

Other ed.: Corpus Christi. Les représentations du Christ en photographie 1855-2002, Paris 2002. Corpus Christi. Christusdarstellungen in der Fotografie. Heidelberg 2003.

Text engl. - Nebeneintrag. - A contribution to the „175 years of photography in Spain“ issue.

Enthält umfangreiche biographische und bibliographische Angaben.

Re Nissan Perez, p. 11-14: Short essay by the later curator of photography at the Israel Museum on the use of three daguerreotypes taken by a little-known traveller and photographer named Aimé Rochas in Egypt, and used by Maxime DuCamp as calotype reproductions for pl. 1, 9, and 52 in his photographically illustrated book “Egypte, Nubie, Palestine et Syrie”, Paris 1852. According to Perez, one of these images includes the figure of DuCamp’s travel comrade, the later famous writer Gustave Flaubert.

Text engl. - Katalog zu einer Wanderausstellung in den USA mit 13 Stationen, 1990-1994. Texte eng./span.

Text hebr./engl./fr.

Text dt. - Other editions: Fr. Originalausgabe: Corpus Christi. Les représentations du Christ en photographie 1855-2002, Paris 2002. Andere Ausgabe: Revelation. Representations of Christ in photography. London et al. 2003.

Text engl. - Includes a chronology, exhibition history, bibliography and list of plates. Beautifully printed on heavy fine matt art paper under the supervision of Turner, from separations made by Firma Digital. Álvarez Bravo selected the photographs himself and authorized the tritones. „Without doubt, this is the most beautifully designed, informative and exquisitely printed major monograph on Álvarez Bravo's work ever published. From the Introduction by Sari Bermúdez: ,In the field of international photography, no other artist has given so much prestige and recognition to Mexico as Manuel Álvarez Bravo. His work is admired by thousands of art lovers the world over and it identifies one of the broadest aspects of our culture: its people. Besides being reason for celebration, the commemoration of his centenary is a time for reappraising and giving thought to his definitive contribution to the shaping of an aesthetic of universal reach, which, through the medium of a camera lens, has captured the mystery and dreams of an entire nation. One hundred years after his birth, the consummate evolution of the work of the artist has been recovered in a careful, loving selection of 100 of his most emblematic pictures.’“ (Antiq. Borelli, Albuquerque, NM, 04.2005).

Text engl. - Incl. a fine selection of 80 Kertesz prints, given to the Israel Museum in 1994.

Text hebrew, engl.? - Nur Kurztitelaufnahme 03.2016.

Text engl. Includes essays: Colin Bossen & Howard Bossen: Witness and Memory; William Bowles: Listen to Your Ancestors; Richard Gott: Latin America at the dawn of the 21st century; Jay Murphy: Visited Last Sunday. It was the Heart of Darkness; Vered Seidmann & Charles T. Salmon: Shooting War: Reality, Representation and Responsibility; Niyate Shinde: Can Contradictions within be skirted? Philip Jones Griffiths: Vietnam today. [Et al.].