Page 1 of 7, showing 20 record(s) out of 129 total
Ausstellungskatalog, London, Tate Modern, 28.05.-03.10.2010; San Francisco, CA, San Francisco Museum of Modern Art, 30.10.-17.04.2011; Minneapolis, Walker Art Center, 21.05.-11.09.2011.
San Francisco, CA/ New Haven, CT
San Francisco Museum of Modern Art in association with Yale University Press
2010
256 p.
hb.
ill.
Buch
9-780-300-163438
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Text engl.
New York, NY
Distributed Art Publishers D. A. P.
1995
188 p.
sc.
ill.
Katalog
0-918471-33-8 (SFMOMA); 1-881616-45-2 (DAP)
Göttingen
Steidl
2004
88 S.
geb. in OSchU
58 Duoton-Photographien
3-86521-046-5
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Text dt. - Der Band erscheint in der von Ute Eskildsen herausgegebenen Buchreihe ´Beruf: Fotografin´. Als Fee Schlapper anfing als Porträtfotografin zu arbeiten, war es noch ein Wagnis, mit der Kundschaft das Studio zu verlassen, um sie im nahegelegenen Park aufzunehmen. Deshalb wurde Fee Schlapper (1927-2000) schnell zu einer bekannten Porträtfotografin mit eigener Handschrift. Berühmt wurden ihre Kinderbilder, weil sie die Kinder als Persönlichkeiten ernst nahm, und ihre ´Porträts über die Zeit´, bei denen sie die einst fotografierten Kinder nochmals als Erwachsene porträtiert hat. (Buchh. Lindemann Stuttgart, 01.2010).
Boston, Toronto, London
Little, Brown and Company, published in association with the International Museum of Photography at George Eastman House
1988
275 p.
hc. in dustjacket
b&w and color ill.
Buch
0-8212-1657-0
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Millerton, NY
Aperture, Inc.
1983
16-27
br.
ill.
Zeitschriftenbeitrag
ISSN 0003-6420; ISBN 0-89381-119-X
Ausstellungskatalog, San Francisco, CA, The San Francisco Museum of Modern Art, 17.10.1997-20.01.1998 et al.
San Francisco, CA
San Francisco Museum of Modern Art/Chronicle Books
1997
132 p.
hb.
120 duotone and full color photographs
Buch, Katalog
0-8118-1984-1
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Ausstellungskatalog, San Francisco, Ca., San Francisco Museum of Modern Art,
San Francisco, Ca,
San Francisco Museum of Modern Art/Chronicle Books
1994
192 p.
pb.
165 duotone ill.
Buch, Katalog
0-918471-30-3; 0-8118-0725-8
Ausstellungskatalog, Chicago, The Art Institute of Chicago, 10.05-14.07.1985; New York, The Metropolitan Museum of Art, 19.12.1985-23.02.1986
New York, London
The Art Institute of Chicago/The Metropolitan Museum of Art/Thames and Hudson
1985
288 p.
cb.
ill.
Buch, Katalog
Text engl.
Ausstellungskatalog, San Francisco, San Francisco Museum of Modern Art, 14.05.-03.08.1999; New York, Japan Society Gallery, The Metropolitan Museum of Art, 23.09.-03.01.2000; Winterthur, Fotomuseum, 29.01.-26.03.2000; Essen, Museum Folkwang, 21.05.-02.07.2000 et al.
San Francisco, CA/ New York
San Francisco Museum of Modern Art/ D. A. P. Distributed Art Publishers
1999
160 p.
black cloth with white stamped-in title, with dust jacket and illustrated vellum-like 2 3/4-inch wide outer band
with 97 b&w plates and 31 additional b/w reference illustrations
Buch, Katalog
0-918471-50-8 (hc.)
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Includes an illustrated chronology, exhibition history, selected bibliography and catalogue of the exhibition. The first major English language book to be published on one of Japan's most important photographers. From the publisher: "Stage actors and stray dogs. High-rises and cherry blossoms. The diversity of moods, angles, and startling configurations which populate the images of Japanese photographer Daido Moriyama (b. 1938) are a testament to thirty-five years of work at the forefront of his medium. This important book provides a crucial overview of an artist whose pioneering work prefigures much current cutting-edge photography. Originally trained as a designer, Moriyama saw William Klein's book New York and a catalogue of photographs by Andy Warhol early in his career. From Klein and Warhol he learned to appreciate the harsh contrast and coarse half-tone effects of cheap publishing, raised to a positive aesthetic level. Other influences included writer Jack Kerouac, the inspiration for a seminal series of photos he took while travelling the highways near Tokyo. He was also connected to dramatist Shuji Terayama, the Artaud of Japan, whose use of vaudevillian concepts parallels Moriyama's fascination with society's underworld." (Antiq. Borelli, Albuquerque NM, 02.2004).
Ausstellungskatalog, San Francisco, CA, San Francisco Museum of Modern Art, 26.09.1996-28.01.1997 et al.
San Francisco, CA
San Francisco Museum of Modern Art/ Chronicle Books
1996
81 p.
sc.
131 plates of ill., some in color
Katalog
0-8118-1420-3
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New York, NY
Powerhouse Books
2003
First edition
84 p.
hb. in dustjacket
b&w photographs
Buch
1-57687-164-9
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Text engl.
München
Schirmer/Mosel
2003
336 S.
500 Abb., davon 300 in Farbe und 200 als Duotone-Tafeln
Buch
Nur Kurztitelaufnahme 03.2004.
Ausstellungskatalog, Stanford/ Los Angeles, 2000?
London
Merrel Holberton
2000
144 p.
hb.
100 photographs plus 23 text ill.
Buch, Katalog
Ausstellungskatalog, Stanford, CA, Iris and B. Gerald Cantor Center for Visual Arts at Stanford University, 19.01.-26.03.2000; Los Angeles, Museum of Contemporary Art, 12.08.-05.11.2000; San Antonio, TX, San Antonio Museum of Art, 28.11.2000-25.02.2001; Seattle, Henry Art Gallery, University of Washington, Seattle, 13.03.-27.05.2001.
London/ Stanford, CA
Merrell Publishers, Ltd. in association with the Iris and B. Gerald Cantor Center for Visual Arts at Stanford University
2000
144 p.
hb. with pictorial wrappers
b&w photographs
Buch, Katalog
0-85894-097-4 (hb.); 0-85894-099-0 (pb.)
Ausstellungskatalog, San Francisco, CA, San Francisco Museum of Modern Art, 05.02.-15.05.2005; et al.
New York, NY, Boston, Mass.
Bulfinch Press
2005
156 p.
cb. in dustjacket
75 tritone plates plus 16 b&w text ill.
Buch, Katalog
0-8212-6198-3
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San Francisco, CA; New Haven, CT, London
San Francisco Museum of Modern Art/ Yale University Press
2005
224 p.
hc. in dustjacket
131 duotone, 28 color ill.
Buch, Katalog
Text engl. - Das im deutschsprachigen Raum als Katalog verkaufte Buch enthält ein Beiheft mit deutscher Übersetzung der Texte von Leo Rubinfien und John W. Dower.
London/ New York, NY
Phaidon Press Ltd./ Phaidon Press Inc.
2007
128 S.
hb. in photographically illustrated dustjacket
ill. mit 46 Farb- und 10 sw-Photographien
Buch
978-0-7148-4528-9
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Text engl. Incl. biography. - „Der Band enthält 55 der genialen Photographien Martin Parrs von 1972 bis 2006 in zeitlicher Reihenfolge. Die Aufnahmen werden von Sandra S. Phillips prägnant erläutert. Parrs Blick auf die Gesellschaft - meist ist es die britische oder irische - und auf ihre Individuen ist genau und oftmals auch schonungslos. Er ist so genau, dass ihm noch nicht einmal eine Fliege auf einer Hutkrempe entgeht, wenn er bei einem Pferderennen photographiert. Der Magnum-Photograph Parr, 2006 von der DGPh mit dem Dr. Erich-Salomon-Preis ausgezeichnet, setzt nicht nur das Verhalten seiner Mitmenschen ins Licht, sondern auch die Dinge, mit denen sie sich umgeben, die sie benutzen oder essen. Dabei sind seine Photographien nie vordergründig kritisch, nichtsdestoweniger immer so spannend, dass sie zum Nachdenken anregen.“ (DGPh Intern Newsletter 2.2008). - Vgl. Buchbesprechung unter www.timm-starl.at/Fotokritik.htm (Text 26),
Milano
Skira Editore
2008
first edition
157 p.
hc.
b&w and color photographs
Buch
978-88-6130-300-3; 978-88-6130-639-4
Text engl. - Basilico followed an invitation by SFMOMA to photograph Silicon Valley in 2007. Most published photographs are San Francisco city views, however.
2004
224 p.
hc.
ill.
Buch
Text engl. - „Japan’s brilliant and influential postwar photographer Shomei Tomatsu (b. 1930) has created some of the most dramatic images in the history of photography. Many of his photographs have become icons of the twentieth century. This important book is the first in-depth English-language study of Tomatsu’s work. Richly illustrated and handsomely designed, it features more than one hundred plates representing in ten thematic sections the full range of his career. - Tomatsu emerged in the 1950s with his sensitive pictures of postwar Japan. In the 1960s the artist turned his camera to the aftermath of the atomic bomb and the lingering presence of the U. S. military in his homeland. In subsequent decades his lens has captured the elation of Japan’s economic boom and the problems inspired by his culture’s increasing westernization. Throughout, Tomatsu’s pictures have consistently resonated not only with Japanese society but also with American culture. Included in this book are essays by distinguished scholars on all aspects of the artist’s life and career as well as a selection of brief excerpts from Tomatsu’s own writings, many of which have never appeared in English. - Skin of the Nation (the book’s subtitle) is both a literal and metaphorical reference to the surfaces that have appeared in countless pictures throughout Tomatsu’s career. For the artist, skin is more than just a surface, it is a kind of map in which one can read the story of Japan, its essence and its future. (http://astore.amazon.com/japankenkyu-20/detail/0300106041/184-0765784-4191030)
Boston
New York Graphic Society Book
1988
275
hard w/dustcover
book
0-8212-1657-0
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Page 1 of 7, showing 20 record(s) out of 129 total