Agee, James

Page 1 of 1, showing 5 record(s) out of 5 total
Ausstellungskatalog, Fort Worth, Tx., Amon Carter Museum, 27.04.-24.06.1990 et al.
Untitled; 51.
San Francisco, Ca./ Fort Worth, Tx. / Albuquerque, NM
The Friends of Photography/ The Amon Carter Museum/ The University of New Mexico Press
1990
88 p.
br.
ill.
Buch, Zeitschrift, Austellungskatalog
0-933286-56-2; 0163-7916
Enthält u.a. "re-photography"-Bilder von Christenberry von ca. Anfang der 70er Jahre nach den Evans-Originalen von ca. 1938.
New York, NY
Aperture, Inc,
1985
76 S. und 4 S. Anzeigen
pb.
ill.
Zeitschrift, Einzelheft
0003-6420; 0-89381-205-6
Text engl.
New York, NY
Horizon Press
1981
First printing of enlarged edition with a corrected text and 24 additional photographs
xv p. plus plates
cb.
68 plates
Buch
0-8180-1422-9
@Amazon
Text engl.
Ausstellungskatalog, Frankfurt am Main, Frankfurter Kunstverein, 22.04.-01.06.1998; Salzburg, Rupertinum, 07.06.-17-07.1998 et al.
München, New York
Prestel
1998
112 p.
hb.
74 ill. (62 duotones, 12 in color)
Buch, Katalog
3-7913-1974-4
@Amazon
Boston
Houghton Mifflin Company & Riverside Press
1966
first edition
white-printed black boards, black-and-white dust jacket
b&w photographs
Buch
Text engl. - Illustrated with more than 150 reproductions of Evans's photographs of New York City subway riders. „Between 1936 and 1941 Walker Evans and James Agee collaborated on one of the most provocative books in American literature, Let Us Now Praise Famous Men (1941). While at work on this book, the two also conceived another less well known but equally important publication entitled Many Are Called. This three-year photographic study of subway passengers made with a hidden camera was first published in 1966, with an introduction written by Agee in 1940. Many Are Called came to fruition at a slow pace. In early 1938, Walker Evans began surreptitiously photographing people on the New York City subway. With his camera hidden in his coat - the lens peeking through the opening between buttons - he captured the faces of riders hurtling through the dark tunnels, wrapped in their own private thoughts. By February 1941, Evans had made over six hundred photographs and had begun to edit the series. The book remained unpublished, however, until 1966 when The Museum of Modern Art mounted an exhibition of Evans's subway portraits.“ (Blackwell Online, 07.2006).
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