PhotoLit - data bank on photographic literature

Day, F. Holland

Page 1 of 1, showing 10 record(s) out of 10 total
The eternal moment. Essays on the photographic image.
Aperture writers and artists on photography.
New York
Aperture Foundation, Inc.
1989
277 p.
pb.
ill.
Buch
0-89381-361-3
@Amazon
Slave to beauty. The eccentric life and controversial career of F. Holland Day, photographer, publisher, aesthete.
Boston
David R. Godine
1981
309 p.
cb. in dustjacket
b&w and color photographs
Buch
0-87923-346-X
@Amazon
Text engl.
Intersections. Lithography, photography, and the traditions of printmaking. Volume seventeen of The Tamarid Papers.
Tamarind papers; 17.
Albuquerque, NM
University of New Mexico Press
1998
First edition
109 p.
pb.
50 text ill.
Buch
0-8263-1845-2
@Amazon
The Tamarind Institute, 108 Cornell Drive SE, Albuquerque, NM 87106. - Incl. single contributions not yet listed in PhotoLit.
The valiant knights of Daguerre. Selected critical essays on photography and profiles of photographic pioneers. Edited by Harry W. Lawton and George Knox with the collaboration of Wistaria Hartmann Linton. Foreword by Thomas F. Barrow. Bibliography compiled by Michael Eldermann.
Berkeley, Los Angeles, London
University of California Press
1978
364 p.
cb.
ill.
Buch
0-520-03356-6
@Amazon
Collection of essays on: "Selected critical essays on photography", "Profiles of photographic pioneers".
The photographic work of F. Holland Day.
Ausstellungskatalog, Mass., Wellesley College Museum, 1975.
Wellesley College Museum
1975
64 p.
b&w photographs
Katalog
-
Text engl. - Nur Kurztitelaufnahme 06.2003. - Check entry.
F. Holland Day. [Text:] Edwin Becker, Verna Posever Curtis, Anne E. Havinga.
Ausstellungskatalog in colaboration with The Royal Photographic Society (RPS), Bath; Boston, Museum of Fine Arts, s. a.; Amsterdam, Van Gogh Museum, s. a.; München, Museum Villa Stuck, s. a.
Amsterdam/ Zwolle
Van Gogh Museum/ Waanders Publishers
2000
144 p.
cb.
ill.
Buch, Katalog
90-400-9525-6
@Amazon
Text engl.
Photographische Rundschau. Zeitschrift für Freunde der Photographie. Hg. und geleitet von Dr. R. Neuhauss für den wissenschaftlichen und technischen Teil und Ernst Juhl für den künstlerischen Teil. Unter besonderer Mitwirkung von Ch. Scolik, Paul von Jankó und anderer hervorragender Fachmännern. XIV [14.] Jg., 1900.
Photographische Rundschau. Zeitschrift für Freunde der Photographie; 14.
Halle (Saale)
Verlag von Wilhelm Knapp
256 S. plus gesonderte „Vereinnachrichen“ (diese s. p.)
OHldr.
Textabb. und Tafeln, z.T. als Heliogravüren
Zeitschrift, Jahresband
Auf S. 63 ein Nachruf auf F. Jagor. - *“Scurrying Home“ (Autotypie); o.T. (Frau in den Dünen; Gravüre); „A decorative panel“ (Autotypie, S. 239), „The incoming boats“ (Autotypie, S. 240), „Winter 5th Ave., NY“ (Autotypie, S. 241); „Bit of Venice“ (Autotypie; S. 245). Text dazu von Sadakichi Hartmann (S.237f).
Photopia. [On cover: David Mancini fifth anniversary exhibition].
Verkaufskatalog, sales catalogue, , Philadelphia, PA, Mancini Gallery, Inc.; Houston, TX, Mancini Gallery, Inc., 1979
Philadelphia, PA, Houston, TX
David Mancini
1979
44 p.
stapled
b&w photographs
Katalog
Incl. separate 4 p. leaflet illustrating two Mancini Gallery portfolios of George Krause photographs.
Die Fotografie des Möglichen. Von Marcel Duchamp bis Anna und Bernhard Blume In: Bayerische Akademie der Schönen Künste. Jahrbuch 13 (1999).
Bayerische Akademie der Schönen Künste.
Jahrbuch Bayerische Akademie der Schönen Künste; 13 (1999).
München
Oreos
1999
443-493
ill.
Jahrbuch-Beitrag
Text dt. - Nur Kurztitelaufnahme 05.2012.
Maine moderns. Art in Seguinland, 1900-1940. [Foreword Mark H. C. Bessire. Photography Susan Nigra Snyder, George E. Thomas].
Ausstellungskatalog, Portland, OR, Portland Museum of Art, 04.06.-11.09.2011.
New Haven, CT, London/ Portland, OR
Yale University Press/ Portland Museum of Art
2011
171 p.
hb. in ill. dustjacket
93 color and 3 bw ill.
Buch, Katalog
978-0-300-16948-5
@Amazon
Text engl. Incl. bibliography, index. - Seguinland is a part of an island off the Maine coast, and a - mostly summer - retreat for artists, e.g. John Marin. Clarence H. White established a photographic summer school in the early part of the 19th century, and pictorialist photographer F. Holland Day built himself a chalet on Seguin Island.
Page 1 of 1, showing 10 record(s) out of 10 total