England

Page 30 of 31, showing 20 record(s) out of 616 total
Munich et al.
Prestel
2012
192 p.
hb.
150 color photographs
Buch
Text engl.
London
Reaktion Books
1997
Buch
Text engl.
Harmondsworth
Penguin Books in association with Chatto and Windus
1961
239 p.
pb.
bw photographs
Buch
Text engl. - Other edition: First edition: London: Chatto & Windus 1957.
Army Film and Photo Unit.
Cambridge
Patrick Stephens
1980
192 p.
hb. in ill. dustjacket
ill.
Buch
0-85059-489-8
@Amazon
Text engl. - Personal reminiscences of a British Army and Film Unit member during World War II, from the Normandy landing to Hamburg after the capitulation.
London
Sampson Low, Marston, Searle and Rivington
37 woodburytype plates
Buch, mit Woodburytypien illustriert
Text engl. - Nebeneintrag. - The names listed under „keywords“ are those of the portrayed, in most cases using Cooper’s headlines.
London
Sampson Low, Marston, Searle and Rivington
36 woodburytype plates
Buch, mit Woodburytypien illustriert
Text engl. Nebeneintrag. - The names listed under „keywords“ are those of the portrayed, in most cases using Cooper’s headlines.The Victor Hugo portrait was photographed by Etienne Carjat, pl. 7; The one of Jules Verne is by Adam-Salomon, pl. 24
London
Sampson Low, Marston, Searle and Rivington
36 woodburytype plates
Buch, mit Woodburytypien illustriert
Text engl. Nebeneintrag. - The names listed under „keywords“ are those of the portrayed, in most cases using Cooper’s headlines.
London
Sampson Low, Marston, Searle and Rivington
37 woodburytype plates
Buch, mit Woodburytypien illustriert
Text engl. Nebeneintrag. - The names listed under „keywords“ are those of the portrayed, in most cases using Cooper’s headlines.
London
Sampson Low, Marston, Searle and Rivington
36 woodburytype plates
Buch, mit Woodburytypien illustriert
Text engl. Nebeneintrag. - The names listed under „keywords“ are those of the portrayed, in most cases using Cooper’s headlines.
London
Sampson Low, Marston, Searle and Rivington
36 woodburytype plates
Buch, mit Woodburytypien illustriert
Text engl. Nebeneintrag. - The names listed under „keywords“ are those of the portrayed, in most cases using Cooper’s headlines.
London
Sampson Low, Marston, Searle and Rivington
36 woodburytype plates
Buch, mit Woodburytypien illustriert
Text engl. Nebeneintrag. - The names listed under „keywords“ are those of the portrayed, in most cases using Cooper’s headlines. The photograph of Tennyson is by Mayall.
München
DeGruyter - K. G. Saur
2004
181-190
ill.
Buchbeitrag
0941-6242; 3.598-21422-7
Text dt. - Teile dieses Bandes sind in Google Books einsehbar.
Ausstellungskatalog, Los Angeles, CA, The J. P. Getty Museum, 04.02.-08.06.2014.
Los Angeles, CA
Getty
2014
232 p.
hc.
120 color and 43 b/w illustrations, 1 map
Buch, Katalog
978-1-60606-155-8-0
Text engl. - January 1839, photography was announced to the world. Two years prior, a young Queen Victoria ascended to the throne of Great Britain and Ireland. These two events, while seemingly unrelated, marked the beginnings of a relationship that continued throughout the nineteenth century and helped construct the image of an entire age. Passion explores the connections between photography and the monarchy through Victoria's embrace of the new medium and her portrayal through the lens. Together with Prince Albert, her beloved husband, the Queen amassed one of the earliest collections of photographs, including works by renowned photographers such as Roger Fenton, Gustave Le Gray, and Julia Margaret Cameron. Victoria was also the first British monarch to have her life recorded by the camera: images of her as wife, mother, widow, and empress proliferated around the world at a time when the British Empire spanned the globe. The featured essays consider Victoria's role in shaping the history of photography as well as photography's role in shaping the image of the Queen. Including more than 150 color images - several rarely seen before - from the Royal Collection and the J. Paul Getty Museum, this volume accompanies an exhibition of the same name, on view at the J. Paul Getty Museum in 2014. Anne M. Lyden is associate curator in the Department of Photographs at the J. Paul Getty Museum. Sophie Gordon is senior curator of photographs at the Royal Collection, Windsor. Jennifer Green-Lewis is associate professor of English literature at George Washington University, Washington, D.C.
Bath
Paragon
2011
255 p.
hb.
numerous ill., part. in color, plus some postcards
Buch
978-1-4454-3968-6
@Amazon
Text engl. - Other edition: Paragon Books Ltd. 2004. - Die Fotografen der »Daily Mail« begleiteten die Truppe mit ihren Kameras den ganzen Kriegsverlauf hindurch, bei der Verteidigung der Heimat und der Kolonien, aber auch bei ihrem verlustreichen Vormarsch auf feindliches Territorium bis hin zum Sieg über Nazideutschland. Auch das Leben der Menschen zuhause, die Dramen um die Luftschlacht von England mit den Bombardements durch deutsche Flieger, der Alltag im Krieg und die Kinder, die aus den Städten evakuiert wurden - all dies hielten sie mit ihren Kameras fest. Der vorliegende Band präsentiert eine spannende Auswahl dieser Bilder. Eine Entdeckung sind die farbigen, herausnehmbaren Postkarten mit Motiven aus der Zeit des Zweiten Weltkriegs. (Frölich und Kaufmann, Berlin, 03.2014).
Farnham
Ashgate Publishing
2007
194 p.
hb.
20 b&w illustrations
Buch
978-0-7546-5855-9
@Amazon
Text engl. Bibliography; index. - A print-on-demand book. - „Contents: The family album, the feminine and the personal; 19th-century album culture; photographs, albums, women's magazines; melancholic portrait gazers; fun and flirtations; ohotography, vision and touch. - This beautifully illustrated study recaptures the rich history of women photographers and image collectors in nineteenth-century England. Situating the practice of collecting, exchanging and displaying photographs and other images in the context of feminine sociability, Bello shows that albums express Victorian women's experience of modernity. The albums of individual women, and the broader feminine culture of collecting and displaying images are examined, uncovering the cross-references and fertilizations between women's albums and illustrated periodicals, and demonstrating the way albums and photography, itself, were represented in women's magazines, fashion plates, and popular novels. Bringing a sophisticated eye to overlooked images such as the family photograph, Di Bello not only illustrates their significance as historical documents but elucidates the visual rhetorics at play. In doing so, she identifies the connections between Victorian album-making and the work of modern-day amateurs and artists who use digital techniques to compile and decorate albums with Victorian-style borders and patterns. - At a time when photographic album-making is being re-vitalised by digital technologies, this book rewrites the history of photographic albums, placing the female collector at its centre and offering an alternative history of photography focused on its uses rather than on its aesthetic or artistic considerations. It is remarkable in elegantly connecting the history of photography with the fields of material culture and women's studies. - About the Author: Patrizia Di Bello is lecturer in the history and theory of photography at Birkbeck College, University of London, UK.“ (Press release).
London, New York, NY
I. B. Tauris
2012
145-162
sc.
978-1-84885-615-8 (hb.); 978-1-84885-616-5 (pb.)
Buchbeitrag
Text engl. - Nebeneintrag
Ausstellungskatalog, London, National Portrait Gallery, 17.02.-30.05.2011.
London
National Portrait Gallery
2011
hb.
ca. 150 ill.
Katalog
Text engl. - „Showcasing 150 of Hoppé’s portraits. Featuring previously unpublished work, Hoppé Portraits establishes Hoppé as a great figure in the history of photographic portraiture through a rich selection of strikingly modernist portraits, as well as early photojournalist studies. This important survey includes many previously unpublished photographs as well as new research into his life and work.“ (National Portrait Gallery).
s. l.
1931
32ff, 56ff,252ff,
Sonderdruck, Fotokopie
Text dt.
London, Paris, New York
Cassell and Company
VIII, (192) / VI, (192) p.
red cloth boards with gilt titles, no dustjacket (as issued)
Buch
Text engl. - 96 single-sided pages of text and 96 b/w photographs on plates. A fascinating collection of Victorian photographs recording Parliamentary scenes and personalities.
Ausstellungskatalog, Sydney, Art Gallery of New South Wales, 07.07.-10.09.2006.
Sydney
Art Gallery of New South Wales
2006
124 p.
sc.
ill.
Katalog
0-7347-6393-X; 978-0-7347-6393-8
Text engl.
Page 30 of 31, showing 20 record(s) out of 616 total