Film

Page 11 of 18, showing 20 record(s) out of 347 total
New York, NY
Harry N. Abrams
1987
240 p.
cb.
500 colr and b&w photographs
Buch
Film scenes and portrait photographs. "For the first time, a book brings together Truffaut's revealing insights on his own life and work and illustrates them with previously unpublished documents from his own files." Incl. chronology, filmography and bibliography. "The first fully illustrated, intimate account of Truffaut´s life and work, with the director himself as the guide. 500 illustrations, including 140 plates in full color" (Publisher).
Düsseldorf
Knapp Verlag
1963
171 S.
OLw. in OSchU
mit 54 Abb. und 5 Ill.
Buch
Die Gags von fast 100 Filmen werden lebendig und ihre Technik wird erklärt.
V & K Volksbücher.
Bielefeld, Leipzig
Velhagen & Klasing
Erste Ausgabe
80 S.
OKt.
mit 70 Abb.
Buch
Ausstellungskatalog, Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, 2003, 06.02.-11.05.2003; Cleveland, OH, Cleveland Museum of Art, 15.02.-16.05.2004.
New York, NY
Iris & B. Gerald Cantor Center for Visual Arts at Stanford University in association with Oxford University Press
2003
xiii, 310 p.
sc.
137 b&w and color ill.
Buch, Katalog
0-19-514964-5
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Text engl. - Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Muybridge is best known for the photographs of horses and other animals in motion, which he made in the 1870s and 80s. The first person to use photography to freeze rapid action for analysis and study, he devised a method for photographing episodes of behavior using a series of cameras, producing some of the most famous sequential photographs ever made. These pictures, the first successful photographs of rapidly moving subjects, revolutionized expectations of what photography could reveal about the natural world. Time Stands Still is the catalogue to accompany a major exhibition celebrating the work of Eadweard Muybridge, one of the most influential photographers of the 19th century. The exhibition, opening Spring 2003 and touring through 2004, will combine an examination of the artists' career in motion photograph with a survey of early attempts to photograph moving subjects. The catalogue is primarily written by guest curator Phillip Prodger, but includes an additional essay on the earliest experiments in cinema by Tom Gunning, an expert on early film at the University of Chicago. The exhibition will display Muybridge's zoopraxiscope and other equipment, drawings, ephemera, and photographs made from the invention of photography in the 1830s to the end of Muybridge's career, which culminated with the publication of his encyclopedic work, Animal Locomotion, in 1887. The photographs and objects are drawn largely from the collection of the Cantor Center and supplemented with a selection of stop-action photographs from other private and public collections. Represented will be the work of, among others, Talbot, Rejlander, Maray, Eakins, Edison, and the Lumiere Freres. (luminous-lint, s.b.). - See also book review by Claude Baillargeon in: Études photographiques. Revue semestrielle, no. 15, Nov. 2004, p. 152f.
Ausstellungskatalog, Barcelona, Actar/ Museu d'Art Contemporani de Barcelona (MACBA), 2000.
Barcelona
Actar/ Museu d'Art Contemporani de Barcelona (MACBA)
2000
first edition
128 p.
photographically illustrated laminated stiff wrappers with French folds
with numerous four-color and b/w plates and reference illustrations
Katalog
8495273713
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Text engl. - Photographs, video and film stills and text by Tacita Dean. Illustrated conversation with Tacita Dean by Roland Groenenboom. Includes a filmography and sound works, biography and bibliography. - From the publisher: "The work of Tacita Dean consists primarily of 16mm films and sound pieces in which process, transformation, and coincidences play vital roles. Static camera positions and long takes are characteristic of her films, creating a sense of stillness in their moving images. Her methods are highly flexible: she allows chance to intervene during the phases of preparation, filming, sound recording, and editing in such a way that she continually finds new directions for her work to take, instead of directing it with rigidity. Her films merge fact and fiction. Both the physical world and our private worlds are depicted, with the relationship between them central to the work. She often employs the coastline and sea as a motif in her work, suggesting a fascination with the elemental idea of the sublime. This first monograph on her work accompanies a show at the Museum of Contemporary Art in Barcelona, and will be a welcome introduction to a young artist whose work has earned her significant praise."
Ostfildern-Ruit
Hatje Cantz
2001
200 S.
Flexcover
ill.
Katalog
3-7757-1037-X
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Enthält Biographien.
Ausstellungskatalog, Berlin, Filmhaus am Potsdamer Platz, s. a.
180 S.
geb.
136 Abb. einschl. 80 in Duoton
Katalog
Nur Kurztitelaufnahme 04.2005.
Ausstellungskatalog, Torino, Pinacoteca Giovanni e Marella Agnelli, Museo Nazionale del Cinema, 29.10.2003-18.01.2004.
Torino
Bompiani
2003
207 p.
kt.
ill.
Katalog
Nur Kurztitelaufnahme 04.2005.
Ausstellungskatalog, Barcelona, Centre Cultural de la Fundació “la Caixa”, 20.05.-18.07.1999; Santiago de Compostella, Centro Galego de Arte Contemporánea, 30.07.-03.10.1999; Paris, Centre national de la photographie, 17.11.1999-24.01.2000.
Paris/ Barcelona
Centre national de la photographie/ Fundació “la Caixa”
1999
108 p.
sb.
175 (105 color) ill.
Katalog
2-86754-120-4
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Text fr., engl. - Bibliographie, Chronologie, Film- und Video-Index. - Australian artist Tracey Moffat works in both film and photography. The book presents main works like ‘Pet Thang’ (1991), ‘Guapa’ (1995), ‘Up in the Sky’ (1997) and more.
Aurich
1989
Broschüre?
Text dt. - Nur Kurztitelaufnahme 09.2005.
Berlin
1926
Nur Kurztitelaufnahme 09.2005. - Check entry.
London
1965
mit 293 Abb
Buch
Original ed.: Eine Archäologie des Kinos. Reinbek 1965. - Nur Kurztitelaufnahme 09.2005. - Check entry.
Hildesheim
1979
Buch
Nachdruck der Ausgabe Berlin s. a. [1956?] - Nur Kurztitelaufnahme 09.2005. - Check entry.
Stuttgart
Füsslin
1993
120 S.
112 ill.
Buch
3-9803451-0-6
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Text dt.
1996
472 p.
zahlr. Farbabb.
88-86155-05-0
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Nur Kurztitelaufnahme 09.2005.
Milano
Mazzotta et al.
1996
441 p.
ill.
Katalog
88-202-1164-5
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Text fr. - Nur Kurztitelaufnahme 09.2005.
Poing
Franzis
2002
7., neu bearb. und erw. Aufl.
700 S., [8] Bl.
ill., graph. Darst.
Buch
3-7723-7117-5
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Andere Ausgaben: 1983 (1. Aufl.), 1988 (2., neubearb. und erw. Aufl.), 1991 (3., neubearb. Aufl.), 1993 (4. verbesserte Aufl.), 1998 (5., neubearb. und erw. Aufl.). - Nur Kurztitelaufnahme 09.2005.
London
1948
Buch
Nur Kurztitelaufnahme 09.2005. - Check entry.
New York, NY
1926
Buch
Nur Kurztitelaufnahme 09.2005. - Check entry.
New York, NY
Barnes & Noble
1976
Buch
9780064903172
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Text engl. - Several editions.
Page 11 of 18, showing 20 record(s) out of 347 total