„Das Werk der Fotografin und Malerin Ann Mandelbaum besitzt sehr symbolistische Züge. In Körperlandschaften, Aufnahmen'von Flora und Fauna und durch den Wechsel des Blicks schafft sie Metaphern für Fremdheit, Vertrautheit, für Verfall und Sexualität.“ (Kat. Lindemanns Fotobücher, 1. Nachtrag zu Kat. 25, Stuttgart, Frühjahr 1999).

Text dt. - Dieses Buch erscheint zu den Ausstellungen “How you look at it. Fotografien des 20. Jahrhunderts”, Sprengel Museum, Hannover und Städelsches Kunstinstitut, Frankfurt am Main, 2000 sowie zur eigenständigen Ausstellung “Michael Schmidt: Frauen”, Kunstverein, Düsseldorf 2000. - „Zuletzt zu EXPO-Ehren gekommen, ist "Frauen" wieder mal ein überzeugender Director's Cut, mehr denn je typisch Schmidt.“ [Text at Schaden.com:]

[Text at Schaden.com:] The new english edition. "The New West" first appeared in 1974 and has been out of print since the Eighties. The book is presented here in a new edition, with the original foreword by John Szarkowski, and a new essay by Heinz Liesbrock, as well as a recent conversation between Robert Adams and Thomas Weski. " Adams's theme is the transformation of the old West into the one-dimensional America of the present, the perversion of a landscape wich once stood for , the idea of an entire nation, until it becomes the background for a tame and corrupt society." (Heinz Liesbrock). „The wide open spaces of the American West have all but disappeared. Robert Adam's legendary book The new West tells of what has taken their place: the destruction of a once grandiose landscape by settlement which imposed highways, cheap housing developments and the vacuous chaos of advertising signs in the cities.“ (Publisher’s text).

Text dt. - Includes a biography, exhibition history and checklist of the exhibition. Beautifully printed on fine paper by Appl, Wemding. Published on the occasion of the exhibition of Shore's photographic work organized by Westfälischer Kunstverein in Münster, Germany (traveled to numerous venues). "Stephen Shore, drawing his inspiration from the work of Walker Evans, documents the American middle classes and landscapes in Texas, Mexico, Scotland, and Italy. A retrospective of this work over the last twenty years.“ (Publisher’s text).