Ausstellungskatalog, Cleveland, Ohio, The New Gallery of Contemporary Art, 03.10.-24.11.1979; Dayton, Ohio, The Dayton Art Institute, 29.02.-13.04.1980; New York, NY, The Brooklyn Museum, 17.05.-13.07.1980.
Incl. historical views from engravings and contemporary photographic reproductions. The latter are not always cited with the originator’s name, but the single plates usually are. Though the book gewnerally reflects a rather conservative view in its text and the image selection some photographs look remarkably modernist, especially those by Krull, Maar and Schall.
“A brilliant and provocative account of the achievement of some of the major women artists of our time. Original both in its theoretical iconoclasm and its meticulous visual analysis, it provides feminist scholarship with new angles of vision and art history more generally with an invaluable critical resource” (Linda Nochlin).
Ausstellungskatalog, Düsseldorf, Kunstsammlung Nordrhein-Westfalen K20, 22.10.2011-15.01.2012; Humlebaeck, louisiana Museum of Modern Art, 10.02.-28.05.2012.
Text dt. - Vgl. Buchbesprechung „Ist die Avantgarde männlich?“ von Katarzyna Gorska, in: Fotogeschichte. Marburg: Jonas Verlag, Heft 123, 2012, Jg. 32, S. 76-77.