Meiselas, Susan

Page 2 of 2, showing 6 record(s) out of 26 total
1989
464 p.
pb.
ill.
Buch
Other ed.: Zeitblende. München 1989. - Nur Kurztitelaufnahme 05.2006.
Heidelberg
Edition Braus im Wachter Verlag
2008
224 S.
OKt.
mit 261 Abbildungen, 245 in Farbe
Katalog
978-3-89904-303-7
@Amazon
Text dt. - Other edition: Original edition: London: Thames and Hudson 2005. - Die modernen Klassiker der inszenierten Fotografie und der Kunstfotografie erschließt "Art photography now". Der Band gliedert sich in sieben Themenbereiche: Stadt, Porträt, Reportage, Dinge, Landschaft, Mode und Erzählung. Dazu werden Fotografien der berühmtesten zeitgenössischen Kunstfotografen gezeigt.
Luna Córnea; no. 8, 1995. Dir. Pablo Ortiz Monasterio.
México, DF
Consejo Nacional para la Cultura y las artes, Centro de la imagen
1995
191 p.
sc.
b&w ill.
Zeitschrift, Einzelheft
0188-8005
Text span, engl. summaries.
Ausstellungskatalog, Lisboa, Centro de Exposicoes do Centro Cultural de Belém, 01.07.-28.08.2005.
Paris/ Lisboa/ Göttingen
Magnum Photos/ Fundacao Centro Cultural de Belém/ Steidl
2005
3650 Ex.
115 p.
hc.
ill.
Buch, Katalog
972-8176-99-6; 3-86521-148-8
Text port., engl. Incl. biographies.
Daylight Magazine; no. 2.
Hillsborough, NC
Daylight
2010
ill.
Zeitschrift, Themenheft
Text engl. - Nur Kurztitelaufnahme 04.2013. - „Featuring portfolios by: Samantha Appleton, Sean Hemmerle, Roger Hutchings, Bruno Stevens, Susan Meiselas, Sheryl Mendez, Daniel Pepper and an essay by Amir Hassanpour. In this issue of Daylight Magazine, Iraq is presented from a number of perspectives. As individuals living far from the front lines, images we foreigners see on television and in newspapers define our perception of the current situation in Iraq. For many of us, this is an armchair war consisting of images released by corporate-controlled media conglomerates and government censors with undeniable agendas. This issue of Daylight presents the work of photographers who have spent time in Iraq working to present their audience with an individual perspective of the region. What a photographer chooses to capture reflects a personal interest or desire to share a very specific moment with the universal spectrum of potential viewers. Susan Meiselas' images of the Kurdish mass graves in southern Iraq came to light ten years ago when the burial sites were exposed to the world. These images have gained contemporary relevance as they are once again being reproduced and reviewed as evidence in the current legal case against Saddam Hussein. Sean Hemmerle's photographs concentrate on landscapes of war-damaged Baghdad. Also featured in the issue is the first appearance of the self-representative photographic project 'Iraq from Within' which later became the travelling exhibition 'Photographs by Iraqi Civilians, 2004'.“ (www.http://daylightbooks.org/store; 04.2013).
New York
Writers and Readers Publishing Cooperative
1983
1st
120
soft
book
0-86316-064-6
@Amazon
Page 2 of 2, showing 6 record(s) out of 26 total