Phillips, Sandra S.

Page 1 of 1, showing 8 record(s) out of 8 total
Boston, Toronto, London
Little, Brown and Company, published in association with the International Museum of Photography at George Eastman House
1988
275 p.
hc. in dustjacket
b&w and color ill.
Buch
0-8212-1657-0
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Millerton, NY
Aperture , Inc,
1982
80 p.
pb.
ill.
Zeitschrift, Einzelheft
0003-6420; 0-89381-119-X
Text engl.
New York, NY
Distributed Art Publishers D. A. P.
1995
188 p.
sc.
ill.
Katalog
0-918471-33-8 (SFMOMA); 1-881616-45-2 (DAP)
New York, NY
Powerhouse Books
2003
First edition
84 p.
hb. in dustjacket
b&w photographs
Buch
1-57687-164-9
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Text engl.
Ausstellungskatalog, San Francisco, CA, San Francisco Museum of Modern Art, 05.02.-15.05.2005; et al.
New York, NY, Boston, Mass.
Bulfinch Press
2005
156 p.
cb. in dustjacket
75 tritone plates plus 16 b&w text ill.
Buch, Katalog
0-8212-6198-3
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San Francisco, CA; New Haven, CT, London
San Francisco Museum of Modern Art/ Yale University Press
2005
224 p.
hc. in dustjacket
131 duotone, 28 color ill.
Buch, Katalog
Text engl. - Das im deutschsprachigen Raum als Katalog verkaufte Buch enthält ein Beiheft mit deutscher Übersetzung der Texte von Leo Rubinfien und John W. Dower.
2004
224 p.
hc.
ill.
Buch
Text engl. - „Japan’s brilliant and influential postwar photographer Shomei Tomatsu (b. 1930) has created some of the most dramatic images in the history of photography. Many of his photographs have become icons of the twentieth century. This important book is the first in-depth English-language study of Tomatsu’s work. Richly illustrated and handsomely designed, it features more than one hundred plates representing in ten thematic sections the full range of his career. - Tomatsu emerged in the 1950s with his sensitive pictures of postwar Japan. In the 1960s the artist turned his camera to the aftermath of the atomic bomb and the lingering presence of the U. S. military in his homeland. In subsequent decades his lens has captured the elation of Japan’s economic boom and the problems inspired by his culture’s increasing westernization. Throughout, Tomatsu’s pictures have consistently resonated not only with Japanese society but also with American culture. Included in this book are essays by distinguished scholars on all aspects of the artist’s life and career as well as a selection of brief excerpts from Tomatsu’s own writings, many of which have never appeared in English. - Skin of the Nation (the book’s subtitle) is both a literal and metaphorical reference to the surfaces that have appeared in countless pictures throughout Tomatsu’s career. For the artist, skin is more than just a surface, it is a kind of map in which one can read the story of Japan, its essence and its future. (http://astore.amazon.com/japankenkyu-20/detail/0300106041/184-0765784-4191030)
Ausstellungskatalog, Madrid, Fundacion Mapfre, 09.-12.2014; Arles, Les Rencontres d’Arles, 07.09.2015; Torino, Camera, Centro Italiano per la Fotografia, 09.-12.2015; C/O Berlin Foundation; 01.-04.2016; Amsterdam, Huis Marseille, 07.-09.2016.
Madrid/ Heidelberg, Berlin
Fundacia Mapfre/ Kehrer
2014
320 p.
half-cloth
color and bw photographs
Buch, Katalog
978-3-86828-562-8
@Amazon
Text dt.
Page 1 of 1, showing 8 record(s) out of 8 total