Stevenson, Sara

Page 1 of 1, showing 7 record(s) out of 7 total
The Royal Photographic Society (R.P.S) Historical Group conference, Bath, 01.-03.09.1989.
Bath
R. P. S. Historical Group
1990
vi, 96 p.
stapled
ill.
Kongreßschrift
0-9515322-0-0
@Amazon
Text engl. - Haupteintrag. - Single contributions listed in PhotoLit.
Ausstellungskatalog, Edinburgh, Scottish National Portrait Gallery, 16.08.-06.11.1994.
Edinburgh
Scottish National Portrait Gallery
1994
96 p.
pb.
ill.
Katalog
0-903598-49-3
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Enthält Biographien. - Mit Einzelbeiträgen, die nicht in PhotoLit aufgelistet sind, u.a. mit einem Aufsatz von H. K. und B. A. Henisch über James Robertson.
Ausstellungskatalog, München, Künstlerwerkstatt Lothringer Strasse, 17.06.-24.07.1994.
München
Nazraeli Press
1994
95 S.
kt.
ill.
Katalog
3-923922-25-6
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Text dt., engl.
Ausstellungskatalog, Edinburgh, Royal Scottish Museum (National Museum of Scotland), 10.08.-01.10.1989; Bradford, National Museum of Photography, Film & Television, 17.10.1989-14.01.1990.
Cheltenham
Shutter Press
1989
156 p.
pb.
66 ill.
Katalog
1-871110-25-4
@Amazon
27.50 $.
Ausstellungskatalog, Köln, Museum Ludwig/Agfa Photo-Historama, 22.09.-31.12.2000.
Göttingen
Steidl
2000
271 S.
geb.
ill.
Katalog
3-88243-749-9
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Text dt.
London, Philadelphia
Taylor & Francis
2001
105-198
br.
b&w ill.
Zeitschrift, Einzelheft
0308-7298
Themenheft „Griechenland“. Incl. „Select bibliography“. Also incl. some articles on Fox Talbot etc.
Göttingen
Steidl
2010
Erstausgabe
320 p.
hc. with mounted photographs, no dustjacket as issued
ill.
Katalog
978-3-86930-139-6
@Amazon
Text dt., engl. - Haupteintrag. Enthält zahlreiche Einzelbeiträge, die - soweit sie photohistorische Inhalte haben - in PhotoLit aufgelistet sind. - Henry Murger described within his novel La Bohème for the first time in history the life and struggle of poor artists within bourgeois society. This was the beginning of the romantic myth of the independent, anarchistic spirit of creative artists. In that context photography played an important role, used by the artists for self-exposure and to document their working conditions and leisure. The bohemian legend persists in literature, on stage and film, as well as in the attitudes of numerous artists of our own time. This book assembles daguerreotypes and photographs of painters, sculptures, writers and actors, portraits and group pictures, pictures of studio interiors and parties from the late Biedermeier over the Belle Epoche up to the 1920th. Besides the pictures from famous photographers as Nadar, Alois Löcherer, Wilkie Wynfield, J. M. Cameron, August Sander and Lux Feininger, the book contains numerous unusual pictures of unknown “masters”. (Publisher’s text).
Page 1 of 1, showing 7 record(s) out of 7 total