Stieglitz, Alfred

Page 6 of 6, showing 10 record(s) out of 110 total
Ausstellungskatalog, München, Fotomuseum im Stadtmuseum, 2009; Wien, Westlicht, 14.12.2010-30.01.2011.
Heidelberg
Kehrer Verlag
2009
300 S.
pb.
220 z.T. farbige Abb.
Katalog
978-3-86828-060-9 (hc.); 978-3-86828-085-2 (sc.)
Text dt., engl. - Enthält Biographien.
Fotografia al Musée d’Orsay.
Paris/ Milano
Musée d’Orsay/ 5 Continents
2004
s. p.
sc.
64 b&w ill.
Buch
2-905724-15-3; 88-7439-176-5
Text ital.
Köln et al.
Taschen
2011
304 S.
geb.
ill.
Buch
978-3-8365-2691-3
@Amazon
Text dt. - Ursprünglich als zweibändige Ausgabe bei Taschen erschienen: ISBN 3-8228-1826-7 und 3-8228-1829-1. Diese großformatige Ausgabe enthält diverse Ergänzungen.
Oxford, New York
Oxford University Press, Inc.
2008
pb.
Buch
Text engl. A print on demand book. - „Camera Works is about the impact of photography and film on modern art and literature. For many artists and writers, these new media offered hope of new means of representation, neither linguistic nor pictorial, but hovering in a kind of utopian space between. At the same time, the new media introduced a dramatic element of novelty into the age-old evidence of the senses. For the avant-garde, the challenges of the new media were the modern in its most concentrated form, but even for aesthetically unadventurous writers they constituted an element of modern experience that could hardly be ignored. Camera Works thus traces some of the more utopian projects of transatlantic avant-garde, including the Readie machine of Bob Brown, which was to turn stories and poems into strips of linguistic film. The influence of photography and film on the avant-garde is traced from the early days of Camera Work, through the enthusiasm of Eugene Jolas and the contributors to his magazine transition, to the crisis created by the introduction of sound in the late 1920's. Subseguent chapters describe the entirely new kind of sensory enjoyment brought into modern American fiction by the new media.What Fitzgerald calls ,spectroscopic gayety,’ the enjoyable diorientation of the senses by machine perception, turns out to be a powerful force in much American fiction. The revolutionary possibilities of this new spectatorship and its limitations are pursued through a number of examples, including Dos Passos, James Weldon Johnson, and Hemingway. Together, these chapters offer a new and substantially different account of the relationship between modern American literature and the mediatized society of the early twentieth century. With a comprehensive introduction and detailed particular readings, Camera Works substantiates a new understanding of the formal and historical bases of modernism. It argues that when modern literature and art respond to modernity, on a formal level, they are responding to the intervention of technology in the transmission of meaning, an intervention that unsettles all the terms in the essential relationship of human consciousness to the world of phenomena.“ (The Book Depository, Guernsey, GY, United Kingdom, 05.2012).
Ausstellungskatalog, New York, NY, Neue Galerie, 2012.
München et al.
Prestel
2012
120 S.
cb.
110 photographic ill., incl. 80 in color
Katalog
Text engl.
Torino
Tip. Roux e Viarengo
1902
76 p.
not ill.
Katalog
Text ital. - Online einsehbar unter: http://libmma.contentdm.oclc.org/cdm/ref/collection/p15324coll19/id/5391 (04.08.2016). Die beteiligten deutschen Photographen sind in der Liste oben aufgeführt; ansonsten sind die sehr zahlreichen Namen unvollständig (s. jedoch im Katalog „Indice alfabetico“, p. 68f).
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Washington, DC
American Institute for Conservation
2017
Buchbeitrag
978-0-9978679-0-9
@Amazon
Text engl. Glossary of terms. Selected Bibliography. Contributors. Index. - Nebeneintrag. - Sarah Greenough work for the National Gallery of Art, Washington, DC.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Washington, DC
American Institute for Conservation
2017
Buchbeitrag
978-0-9978679-0-9
@Amazon
Text engl. Glossary of terms. Selected Bibliography. Contributors. Index. - Nebeneintrag. - Constance McCabe and Christopher Maines work at the National Gallery of Art, Washington, DC; Mike Ware is Honorary Fellow in Chemistry, University of Manchester, UK; Matthew L. Clarke works for the National Gallery of Art, the Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC.
Boston
Bullfinch Press
1999
first edition
223 p.
hb. in dustjacket
Buch, Katalog
0-8212-2170-1
@Amazon
Washington DC/ New York, NY
National Gallery of Art/ Harry N. Abrams
2002
hc., 2 vols. in slipcase
book, catalog
0-89486-290-3
@Amazon
Text engl.
Page 6 of 6, showing 10 record(s) out of 110 total