Theorie und Kritik

Page 36 of 41, showing 20 record(s) out of 811 total
Berlin
2012
143-160
Buchbeitrag
Text dt. - Nur Kurztitelaufnahme 01.2014.
Köln
2012
105-113
Buchbeitrag
Text dt. - Nur Kurztitelaufnahme 01.2014.
Ausstellungskatalog, Essen, Fotografische Sammlung des Museum Folkwang, 25.02.-29.04.2012.
Essen/ Göttingen
Edition Folkwang/ Steidl
2012
214-219
Katalogbeitrag
Text dt. - Nebeneintrag.
Leipzig
2012
13-17
Buchbeitrag
Text dt. - Nur Kurztitelaufnahme 01.2014.
Berlin
2012
343-357
Zeitschriftenbeitrag
Text dt. - Nur Kurztitelaufnahme 01.2014.
Wien, Berlin
2013
131-154
Buchbeitrag
Text dt. - Nur Kurztitelaufnahme 01.2014.
2013
56-64
Zeitschriftenbeitrag
Text dt. - Nur Kurztitelaufnahme 01.2014.
2013
139–148
Zeitschriftenbeitrag
Text fr. - Nur Kurztitelaufnahme 01.2014.
2013
17-28
Zeitschriftenbeitrag
Text dt. - Nur Kurztitelaufnahme 01.2014.
2013
Zeitschriftenbeitrag
Text dt. - Vgl. Besprechung von Thomas Gross, in: Frankfurter Allgemeine Zeitung vom 18. Dezember 2014, S. N4. - Nur Kurztitelaufnahme 01.2014.
München
2014
68-83
Buchbeitrag
Text dt. - [im Druck]. - Nur Kurztitelaufnahme 01.2014.
Fotogeschichte. Beiträge zur Geschichte und Ästhetik der Fotografie 34 (2014), Heft 131.
2014
Zeitschriftenbeitrag
Text dt. - [Im Druck]. - Nur Kurztitelaufnahme 01.2014.
München
2014
Zeitschriftenbeitrag
Text dt. - [Im Druck]. - Nur Kurztitelaufnahme 01.2014.
München
2014
Buchbeitrag
Text dt. - [Im Druck]. - Nur Kurztitelaufnahme 01.2014.
München
2014
Buchbeitrag
Text dt. - Im Druck. - Nur Kurztitelaufnahme 01.2014.
Berlin, New York
2014
Buchbeitrag
Text dt. - [Zum Druck eingereicht]. - Nur Kurztitelaufnahme 01.2014.
Magazin Kunst. Das deutschsprachige Kunstmagazin; 16. Jg., Nr. 4, 1976. Hg. Hans Alexander Baier.
Mainz
Alexander Baier Presse
1976
150 S.
pb.
ill.
Zeitschrift, Einzelheft, Themenheft
Text dt. Siehe besonders S. 60-123, mit umfangreicher Bibliographie.
Farnham
Ashgate Publishing
2007
194 p.
hb.
20 b&w illustrations
Buch
978-0-7546-5855-9
@Amazon
Text engl. Bibliography; index. - A print-on-demand book. - „Contents: The family album, the feminine and the personal; 19th-century album culture; photographs, albums, women's magazines; melancholic portrait gazers; fun and flirtations; ohotography, vision and touch. - This beautifully illustrated study recaptures the rich history of women photographers and image collectors in nineteenth-century England. Situating the practice of collecting, exchanging and displaying photographs and other images in the context of feminine sociability, Bello shows that albums express Victorian women's experience of modernity. The albums of individual women, and the broader feminine culture of collecting and displaying images are examined, uncovering the cross-references and fertilizations between women's albums and illustrated periodicals, and demonstrating the way albums and photography, itself, were represented in women's magazines, fashion plates, and popular novels. Bringing a sophisticated eye to overlooked images such as the family photograph, Di Bello not only illustrates their significance as historical documents but elucidates the visual rhetorics at play. In doing so, she identifies the connections between Victorian album-making and the work of modern-day amateurs and artists who use digital techniques to compile and decorate albums with Victorian-style borders and patterns. - At a time when photographic album-making is being re-vitalised by digital technologies, this book rewrites the history of photographic albums, placing the female collector at its centre and offering an alternative history of photography focused on its uses rather than on its aesthetic or artistic considerations. It is remarkable in elegantly connecting the history of photography with the fields of material culture and women's studies. - About the Author: Patrizia Di Bello is lecturer in the history and theory of photography at Birkbeck College, University of London, UK.“ (Press release).
London, New York, NY
I. B. Tauris
2012
17-34
sc.
978-1-84885-615-8 (hb.); 978-1-84885-616-5 (pb.)
Buchbeitrag
Text engl. - Nebeneintrag.
Lieven Gevaert Series.
Leuven
Leuven University Press
2010
Buch
Text engl. - „Despite our stereotypical ideas on photographic images as snapshots (slices of time), photography is fundamentally a time-based medium. The relationships between photography and time are manifold: time can be directly represented within the image, it can be its theme and philosophical horizon, but it can also represent the global framework in which photographic practices develop and change through time. It is the ambition of this book to bring together the various aspects of time in photography as well as of photography in time, and to illustrate them in a series of case studies that focus on seminal authors (e.g. Fox Talbot, Victor Burgin, Robert Morris) and genres (e.g. spirit photography, montage photobooks and tableau photography), with examples ranging from the very first photographic pictures to the most recent cross-medial uses of photography in and outside art. - Given the multifaceted dimensions of the notion of time, the book fosters an interdisciplinary approach, gathering essays by photohistorians as well as by authors with a critical or philosophical background. It foregrounds also reading methods of photography that are indebted to fields that have a great expertise in analyzing time such as narratology and literature. Written by international specialists for a non-specialist audience and displaying extraordinary breadth and erudition, this book reshapes our vision of photography in order to include many crucial yet overlooked aspects of time, culture and art.“ (Press text).
Page 36 of 41, showing 20 record(s) out of 811 total