PhotoLit - data bank on photographic literature

Warner, Marina

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Die Rache der Veronika. Aktuelle Perspektiven der zeitgenössischen Fotografie. Die Fotosammlung Lambert.
Ausstellungskatalog, Hamburg, Deichtorhallen, 27.02.-01.06.1998
Zürich, Berlin, New York
Scalo
1998
1. Aufl.
256 S.
pb.
90 Farb- und 40 Duoton-Abb.
Katalog
3-931141-77-2
@Amazon
Archive. National Museum of Photography Film & [and] Television. February 2004. [Preface Tony Sweeney. - Russell Roberts: Taking stock. Jane Fletcher: Treasures. Patrick Henry: Luc Delahaye, photographs. Colin Harding: Photographing war. Mark Durden: Evidence & excess. Gilles Peress and James Nachtwey. Carol Mavor: Photographs are fairyish. Marina Warner: In the minds eye. Thought-pictures and etheral presences in the photography of Julia Margaret Cameron (1815-79). Biographies and forthcoming exhibitions].
National Museum of Photography Film & [and] Television (NMPFT).
Archive; February 2004.
Bradford
National Museum of Photography Film & [and] Television.
2004
34 p.
stapled
b&w and color ill.
Zeitschrift, Einzelheft
Fletecher’s text is on an early Jersey calotypist, William Collie, whose portrait work was presented in an RPS-owned album. The RPS collection has been taken over by the NMPFT in 2003. - Mavor’s essay is on the Cottingley fairies, a childrens’ hoax taken for true by many spiritistically inclined adults including Sir Arthur Conan Doyle around 1917 and after.
Veronica’s revenge. Contemporary perspectives on photography. LAC [The Lambert Art Collection] Switzerland. Edited with Marion Lambert-.
Zürich, Berlin, New York
Scalo
1998
256 S.
geb.
144 Abb., davon 89 in Farbe
Buch
3-931141-78-0
@Amazon
Things. A spectrum of photography 1850-2001. Introduction by Marina Warner.
London
Jonathan Cape/ Victoria and Albert Museum
2004
224 p.
27x24.2cm
ill.
0-224-07289-7
@Amazon
Page 1 of 1, showing 4 record(s) out of 4 total