PhotoLit - data bank on photographic literature

 
Book# 23727

Elwall, Robert

“The foe-to-graphic art”: The rise and fall of the Architectural Photographic Association. In: The Photographic Collector, vol. 5, no. 2, 1985, p. 142-163.

The Photograpic Collector; vol. 05, no. 2, 1985.
Ort   London
Jahr   1985
Illustration, Ausstattung   -
Medium   Zeitschriftenbeitrag

 

Nur Kurztitelaufnahme 07.2002.
Photographie England Photographiegeschichte 19. Jahrh. Architekturphotographie “Architectural Photographic Association” (APA) 
Other books with similar tags:
“From today painting is dead”. The beginnings of photography. The Victoria & Albert Museum, 16 March - 14 May 1972. [Foreword Robin Campbell, Norbert Lynton. Text Tristram Powell, Asa Briggs, D. B. Thomas, Gail Buckland. Organized by Roy Strong, Charles Gibbs-Smith, Tristram Powell].
Ausstellungskatalog, London, The Victoria and Albert Museum, 16.03.-14.05.1972.
Beautiful ambrotypes. Early photographs. Introduction by Paul Cox.
19th Century Photography Series; Vol. 1.
Sir John Herschel and the invention of photography. 8th April - 27th June 1981, R.P.S. [RPS] National Centre of Photography, Long Gallery, Bath. [Introduction Larry Schaaf. Production Valerie Lloyd].
Austellungskatalog, Bath, The Royal Photographic Society (RPS) National Centre of Photography, Long Gallery, 08.04.-27.06.1981.
British photography in the nineteenth century. The fine art tradition.
William Henry Fox Talbot, John Dillwyn Llewelyn und Nevil Story-Maskelyne. Die Anfänge der photographischen Kunst. In: Alles Wahrheit! Alles Lüge! Photographie und Wirklichkeit im 19. Jahrhundert. Die Sammlung Robert Lebeck. Hg. von Bodo von Dewitz und Roland Scotti. Eine Ausstellung des Agfa Foto-Historma im Wallraff-Richartz-Museum/Museum Ludwig, Köln für die Museen der Stadt Köln, 30. November 1996 bis 2. Februar 1997.
Ausstellungskatalog, Köln, Wallraff-Richartz-Museum/Museum Ludwig, 30.11.1996-2.2.1997
London in Photographien 1839-1994. Vorwort von Ronald Hill. Aus dem Englischen von Peter Weber-Schäfer.
John Thomson (1837-1921), photographer. Foreword by Sir David Puttnam. Specialist photographic printing and a chapter by Michael Gray.
Immortal portraits: being a gallery of famous photographs by David Octavius Hill, Julia Margaret Cameron, Gaspard Felix Tournachon Nadar, Roger Fenton, Adolphe Disdéri, and others.
Classics of photography, a history of photography in photographs. Ed. Andor Kraszna-Krausz.
J. B. Reade, F.R.S., and the early history of photography. Part 1: A re-assessmant on the discovery of contemporary evidence. Part 2: Gallic acid and Talbot’s calotype patent. In: Annals of science, vol. 27, no. 1, March 1971, p. 13-83.
Annals of science. An international quarterly review of the history of science and technology since the renaissance; vol. 27, no. 1, March 1971.
The changing metropolis. Earliest photographs of London 1839-1879.
The rise of British photographic manufacturing 1839 - c. 1860. In: Pritchard, Michael: Technology and art. The birth and early years of photography. The proceedings of the Royal Photographic Society Historical Group conference, 1 - 3 September 1989.
The Royal Photographic Society (RPS) Historical Group conference, Bath, 01.-03.09.1989.
The first photographic portrait studios in the British Isles: Professional foundations. In: Pritchard, Michael: Technology and art. The birth and early years of photography. The proceedings of the Royal Photographic Society Historical Group conference, 1 - 3 September 1989.
The Royal Photographic Society (RPS) Historical Group conference, Bath, 01.-03.09.1989.
Volumes of hints, suggestions and realities. In: Hallett, Michael (ed.): Rewriting photographic history. A one day conference to celebrate the 150th anniversary of the first public announcement of the invention of photography 1839-1989.
Konferenzbericht, Birmingham, Birmingham Polytechnic, 29.09.1989.
L’amour de la lumière: Herschel, Talbot et la photographie. In: Les multiples inventions de la photographie.
Kongressbericht, Ministére de la Culture, de la Communication, des Grands Travaux et du Bicentenaire, Direction du Patrimoine, Cerisy-la-Salle, 29.09.-01.10.1988.
A faithful likeness. The first photographic portrait studios in the British Isles 1841 to 1855.
Picturing nations: Landscape photography and national identity in Britain and Germany in the mid-nineteenth century. In: Schwartz, Joan M. & Ryan, James R. (ed.): Picturing place. Photography and the geographical imagination.
First photographs. William Henry Fox Talbot and the birth of photography. Texts by Michael Gray, Arthur Ollman, and Carol McCusker.
Ausstellungskatalog, New York, The International Center of Photography (ICP), 13.12.2002-16.02.2003; San Diego, CA, The Museum of Photographic Arts, 30.03.-15.06.2003.
Developing the picture. Queen Alexandra and the art of photography.
Talbot and photogravure. Text by Larry J. Schaaf. Hans P. Kraus, Jr. Fine Photographs. Sun pictures catalogue twelve.
Ausstellungskatalog „Etchings of light: Talbot and photogravure“, New York, Hans P. Kraus, Jr., Inc., 09.10.-21.11.2003.
Sun Pictures; catalogue eleven (12).
Joke de Wolf: Exchanging Views on an Empty Street. On Urban Settings and the Traffic in Charles Marville’s Photographs; Harald R. Stühlinger: Photographed Buildings on Buildings. When Architectural Photography Conquered Architecture; Martino Stierli: Photomontage in/as Spatial Representation; Matthias Noell: Bioscopic and Kinematic Books. Studies on the Visualisation of Motion and Time in the Architectural Book ca. 1900–1935; Rolf Sachsse: Artists’ Books on Architecture. A Fast Growing and Endangered Species; Nicole E. Stöcklmayr: Constructions and Reconstructions. The Architectural Image between Rendering and Photography. - In: Photoresearcher, no. 18, [October] 2012.
European Society for the History of Photography [ESHPh]. Association Européenne pour l’Histoire de la Photographie. Europäische Gesellschaft für die Geschichte der Photographie.
Photoresearcher; no. 18, [Oct.] 2012. Ed. Ulla Fischer-Westhauser, Uwe Schögl.