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Book# 26846

McCabe, Constance

Preservation of 19th century negatives in the National Archives. In: Journal of the American Institute of Conservation, vol. 30, 1991, p. 41-73

Journal of the American Institute of Conservation; vol. 30, 1991.
Jahr   1991
Medium   Zeitschriftenbeitrag

 

Nur Kurztitelaufnahme 02.2004
Photographie 19. Jahrh. Konservierung und Restaurierung, conservation and restoration Sammlungen, National Archives 
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The subtle beauty of platinum and palladium photographs. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation.
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The technical history and chemistry of platinum and palladium printing. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
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Willis’s transatlantic connection. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
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Step-by-step: How platinum and palladium prints are made. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
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Additives used in the platinum process. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
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Platinum paper tins. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
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Platinum enlargements. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
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The history and use of glycerine in platinum printing. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
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Overview of historical practices for postprocessing toning and intensifying platinum prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
The phenomenon of platinum “image transfer” to adjacent papers. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
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A summary of early chemical and physical treatments of platinum prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
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Investigating chelating agents for the treatment of platinum prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Nonadhesive mounting methods for photographic prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
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Caring for platinum and palladium prints: Storage and display. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
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Conversion of obsolete units of measurements. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section III: The platinum revival and contemporary platinum and palladium Prints.
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