Edgar Martins: Silent shores. Rebecca Solnit: Post-Katrina landscapes. Neil Selkirk’s Washington lobbyists. Afghan opium trade. Frederick Sommer and David Levi-Strauss. In: Aperture, no. 184, fall 2006.

Alinder, James (ed.)

God news, by Robert Adams. East is east, and west? by Jack Welpott. Portfolio. An interview with Susan Sontag by James Alinder. Photographs by Meridel Rubenstein. On british photography, by Gerry Badger. In: Untitled 14.

Untitled; 14. Ed. by James Alinder.

Bridges, Thomas (ed.)

Moments of grace: Spirit in the American landscape. - Postnatural, by Bill McKibben; Home, by Mary Oliver; The experience of place, by Tony Hiss; Outside (but not necessarily beyond) the landscape, by Lucy R. Lippard; People and idas: “Blind in the sun”, by Charles Bowden; “The buzz about paparazzi: Marcello Mastroianni remembers working with Federico Fellini and Tazio Secchiaroli, the first paparazzo”, by Gloria Satta. In: Aperture no. 150, winter 1998.

Aperture; 150

Birgus, Vladimir

Tschechische Avantgarde-Fotografie 1918-1948. Birgus, Bonhomme, Dufek, Mlcoch, Srp.

Eskildsen, Ute (Hg.)

Ein Bilderbuch. Die Fotografische Sammlung im Museum Folkwang. [Text Wolfgang Brückle, Klaus Pollmeier, Florian Ebner, Clément Chéroux, Jürgen Müller, Christopher Phillips, Reinhard Braun, Hans-Jürgen Lechtreck, Ute Eskildsen].

Settings & playings. Theatrical ambiguity in American photography.

Hung, Wu & Phillips, Christopher (eds.)

Between past and future. New photography and video from China. With contributions by Melissa Chiu, Lisa Corrin, and Stephanie Smith.

Ausstellungskatalog, New York, NY, International Center of Photography [ICP] and Asia Society, 11.06.-05.09.2004; Chicago, David and Alfred Smart Museum of Art, University of Chicago and Museum of Contemporary Art, 02.10.2004-16.01.2005; Seattle, Seattle Art Museum, 10.02.-15.05.2005; London, Victoria and Albert Museum, 09.2005-05.2006; Berlin, Haus der Kulturen der Welt, 03.-05.2006; Santa Barbara, CA, Santa Barbara Museum of Art, summer 2006.

Der Gebrauch der Fotografie II. Das Ende der Fotografie [Hg. Heinz-Norbert Jocks]. In: Kunstforum International; Bd. 172, September-Oktober 2004.

Kunstforum International; 172, Juli-August 2004. Hg. Dieter Bechtloff.

Emslander, Fritz (Hg.)

Tiefenschärfe. Bilder vom Menschen aus den Photosammlungen des Institut d’art contemporain – Collection Rhône-Alpes, Villeurbann/Lyon und des Musée d’art moderne de Saint-Étienne Métropole. Hg. von Fritz Emslander. Mit Beiträgen von Jean-Francois Chevrier, Martine Dancer, Fritz Emslander, Astrid Ihle, Dirk Teuber, Barbara Wagner, Harriet Zilch.

Ausstellungskatalog, Baden-Baden, Staatliche Kunsthalle, 13.05.-02.07.2006.

Isaacs, Charles

The strange and the sublime. American photography 1850-1920. Curated by Charles Isaacs. Kemerer Museum of Decorative Arts, Bethlehem, Pennsylvania, September 17 - November 22, 1989. [Preface Sarah J. Wilson].

Ausstellungskatalog, Bethlehem, PA, Kemerer Museum of Decorative Arts, 17.09.-22.11.1989.

Curti, Denis (ed.)

Le collezioni di fotografia nei musei tedeschi. Fotodiffusione `98 [1998]. Fondazione Italiana per la Fotografia [Torino]. A cura di Denis Curti.

Ausstellungskatalog, Torino, Lingotto Spazio Mostre Portici, 22.09.-22.11.1998.

Cover Prix Pictet 2008 - Water. Vorwort von Kofi Annan.