PhotoLit - data bank on photographic literature

 
Book# 42933

Gruber, Andreas

The platinum print technology of the Austrian pictorialist Heinrich Kühn. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.

Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Ort   Washington, DC
Verlag   American Institute for Conservation
Jahr   2017
Medium   Buchbeitrag
ISBN / ISSN   978-0-9978679-0-9
  @Amazon

 

Text engl. Glossary of terms. Selected Bibliography. Contributors. Index. - Nebeneintrag. - Andreas Gruber work for the Wien Museum, Austria.
Photographie 20. Jahrh. Kühn, Heinrich Konservierung und Restaurierung, conservation and restoration Platinum prints, Platinabzüge Palladium prints, Paladiumabzüge 
Other books with similar tags:
Platinum and palladium photographs. Technical history, connoisseurship, and preservation. [Foreword Malcolm Daniel. Preface and acknowledgement Constance McCabe. Introduction Andrea Nelson].
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works.
The subtle beauty of platinum and palladium photographs. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
The technical history and chemistry of platinum and palladium printing. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Willis’s transatlantic connection. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Manufactured platinum and faux platinum papers 1880s-1920s. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Platinum printing on textiles. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Platinum toning of silver prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Platinum enlargements. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
The history and use of glycerine in platinum printing. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Overview of historical practices for postprocessing toning and intensifying platinum prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
The phenomenon of platinum “image transfer” to adjacent papers. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
A summary of early chemical and physical treatments of platinum prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Maurice Vidal Portman and the platinotype in India. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
A great day for Palladio: Alfred Stieglitz’s palladium prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Alfred Stieglitz’s Palladium Prints: Treated by Steichen. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
A technical study of Paul Strand's platinum prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Paul Outerbridge: Abstraction, advertising, and platinum prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Irving Penn’s platinum-palladium prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section III: The platinum revival and contemporary platinum and palladium Prints.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
The platinum renaissance: Oral histories of platinum-palladium printers and artists. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section III: The platinum revival and contemporary platinum and palladium Prints.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Looking at a platinum-palladium print. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section III: The platinum revival and contemporary platinum and palladium Prints.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].