PhotoLit - data bank on photographic literature

 
Book# 28439

Dufek, Antonin

Rudolf Scopec in relation to Helmut Gernsheim. In: Auer, Anna & Crawford, Alistair (ed.): Helmut Gernsheim reconsidered. The proceedings of the Mannheim symposium.

Kongressbericht, European Society for the History of Photography [ESHPh]; Forum Internationale Photographie (FIP), Reiss-Engelhorn Museum, Mannheim, 12.10.2003.
Ort   Passau
Verlag   Dietmar Klinger
Jahr   2004
Einband   sc.
Illustration, Ausstattung   b&w ill.
Medium   Kongressbericht-Beitrag
ISBN / ISSN   3-932949-37-4
  @Amazon

 

Text engl. - Nebeneintrag.
Photographie 20. Jahrh. Photographiegeschichte Theorie und Kritik Gernsheim, Helmut Scopec, Rudolf 
Other books with similar tags:
Una posible silueta para una futura historiografia de la fotografia en Mexico. In: Artes Visuales, revista trimestral, no. 12, octurbe-diciembre 1976, 2-6.
Artes Visuales; 12, 1976.
Dialogue with photography. [On dustjacket: Interviews with (...)].
Wandlungen des Bildnisses in der Photographie.
Vom Sinn der Photographie. Texte aus den Jahren 1952-1980.
Wunderbare Welt der Kamera. “Fetisch des Jahrhunderts”. Ein Lesebuch für Fotofreunde.
Tschechische Avantgarde-Fotografie 1918-1948. Birgus, Bonhomme, Dufek, Mlcoch, Srp.
Photographie et société.
Points Histoire.
Fotografia y metodos historicos: dos textor para un debate [De la “Fotohistoria” a la historia con la fotografia. La historiografia espanola y los debates internacionales sobre la fotografia como objeto histórico. - Imagenes contaminadas. (La Fotografia en la historia del arte)]. Photography and historical methodology: two text [sic] for a debat. [From the “Photohistory” to the history with photography. The Spanish historiography and the international debates over photography as an historical object. - Contaminated images (Photography in art history)].
Santander, Aula de Fotografia de la Universidad de Cantabria; Santa Cruz de Tenerife, Aula de Fotografia de la Universidad de La Laguna, 1994.
Helmut Gernsheim: Pioneer collector and historian of photography. Early attempts at a theory of photography and their influence on Gernsheim. In: Auer, Anna & Crawford, Alistair (ed.): Helmut Gernsheim reconsidered. The proceedings of the Mannheim symposium.
Kongressbericht, European Society for the History of Photography [ESHPh]; Forum Internationale Photographie (FIP), Reiss-Engelhorn Museum, Mannheim, 12.10.2003.
Bringing up baby: Helmut Gernsheim, Beaumont Newhall and the childhood of photo history. In: Auer, Anna & Crawford, Alistair (ed.): Helmut Gernsheim reconsidered. The proceedings of the Mannheim symposium.
Kongressbericht, European Society for the History of Photography [ESHPh]; Forum Internationale Photographie (FIP), Reiss-Engelhorn Museum, Mannheim, 12.10.2003.
Cento anni di fotofgrafia. In: Ulisse, anno XX, vol. IX, novembre 1967.
I problemi di Ulisse; anno 20, vol 9, novembre 1967.
Bibliographie. Bücher, Ausstellungskataloge, Essays, Artikel.
Photographies East: The Camera and Its Histories in East and Southeast Asia.
Fotografía y texto como (un) objeto de interpretación. In: 8° [Octavo] Congreso de historia de la fotografia 2006.
8° Congreso de historia de la fotografia; Vicente López 2006.
Peter Weiermair: Reflections on Materiality in Photographic Production – Looking Back at a Discourse; Hubertus von Amelunxen: Im | materialities; Andreas Spiegl: Anatal and Digilogue Photography: Different but Indistinguishable; Danielle Leenaerts: The Modes of Inscription and Appearance of the Still Image in Beat Streuli's Work: Reflections on the Photographic Media; Klaus Honnef: Illusory Images in the Brain – Fleeting Images in the Net – Captured Images on Paper; Caroline Fuchs: Anticipation and Reality. A Re-Evaluation of Autochrome Projection; Amélie Van Liefferinge: Between Art, Science and Education. The Tradition of Slide Shows at the Belgian Association of Photography (1883–1933); Thomas Freiler: The Vampire and Marilyn – Some Thoughts on a Photographic Concept of Being; Moritz Neumüller and Andreas Reichinger: From Stereoscopy to Tactile Photography; Monika Schwärzler: The Beast – On the Photographic Staging of the Large Hadron Collider at the Nuclear Research Centre in Geneva; Carl Aigner: Photo Digitality in the Area of Conflict. Between the Material and Immaterial. A Review as a Preview; Jeanna Nikolov-Ramírez: Pictorial Spreading - On Immaterial Forms of Collecting and Sharing Images; Ilka Becker: Some Remarks on Material Agency after the Digital Turn and the Photographic Metaphor of the Living Digital. - In: Photoresearcher, no. 19, [April] 2013.
European Society for the History of Photography [ESHPh]. Association Européenne pour l’Histoire de la Photographie. Europäische Gesellschaft für die Geschichte der Photographie.
Photoresearcher; no. 19, [Apr.] 2013. Ed. Ulla Fischer-Westhauser, Uwe Schögl. Guest editor Caroline Fuchs.
Suspended relationships: The montage photography books of Moshe Raviv Vorobeichic. In: Baetens, Jan; Streitberger, Alexander & Gelder, Hilde Van (eds.): Time and photography.
Lieven Gevaert Series.
‘An image of an image': Photography and Robert Morris's Continuous Project Altered Daily. In: Baetens, Jan; Streitberger, Alexander & Gelder, Hilde Van (eds.): Time and photography.
Lieven Gevaert Series.
Geschichte der Fotografie. Von Daguerre bis Gursky.
C. H. Beck Wissen; 2727.
Meisterwerke der Fotografie.
Reclams Universal-Bibliothek; 18763.
Tracing photography. In: Ruby, J. & Banks, M., (eds.): Made to be seen: Perspectives on the history of visual anthropology.